Produced on the occasion of the exhibition André Cadere: Peinture sans fin at the Staatliche Kunsthalle Baden-Baden, 27 October, 2007–20 January, 2008.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

Designed by Yvonne Quirmbach.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Simone Fattal’s exhibition metaphorS, at Secession, Vienna, 21 June–8 September, 2024.

The publication includes a series of collages and drawings by the artist, inspired by Gustav Klimt’s Beethoven Frieze. A reproduction of a new collage is inserted into the book.

Designed by Sabo Day.

Edited by Tom Engels, Yana Foqué & Krist Gruijthuijsen, preface by Maxine Kopsa.

SUZON—both a reprint of Raimundas Malašauskas sold-out book Paper Exhibition from 2012 and a new collection of writings by the author that have happened since—offers a window onto Malašauskas’ worldview, based on collective improvisation, congregation and continuous drift. It includes essays, exhibition guides, personal letters, song lyrics, an opening speech and a cocktail recipe offering a glimpse of what perhaps in a few years we will look back upon as L’esprit du temps.

Model No. 2745 (Son)
Distance to lens: 105.5 cm
Garment label: HANOI TOCONTAP VIETNAM 48
Model No. 1542 (Mother)
Distance to lens: 159 cm
Garment label: VEB Wäschekonfektion m94 Obercrinitz 40°
Model No. 1316 (Father)
Distance to lens: 231 cm
Garment label: Dreiklang 60 2450 60°
Sleepware courtesy of Adlershofer Fundus Kostüm- & Requisitenverleih, Ernst-
Augustin-Str. 7, Berlin-Adlershof, Germany (fmr. DDR)
Pillows manufactured by Heinrich Häussling GmbH & Co., Branchweilerhofstraße
200, Neustadt an der Weinstraße, Germany (fmr. DBR)
Bedding manufactured by Oberlausitzer Leinen, Hoffmann GmbH & Co. KG, Zittauer
Straße 23, Neukirch/Lausitz, Germany (fmr. DDR)
Studio Thomas Borho, Oberkasseler Str. 39, Düsseldorf, Germany
October 7, 2019
2020 (detail)

“For more than 35 years, Jochen Lempert’s photographs have stood out as a singular oeuvre within contemporary art. The trained biologist’s gaze is marked by constant wonder. At first, and not without irony, at the history and forms (and warps) of our cultural fascination for the inexhaustible potential of plants and animals. He is increasingly interested in the phenomena of perception and how they are translated into images, in the life forms of flora and fauna and their analogies to his own creative process… Following the publication of Phenotype in 2013 by Verlag der Buchhandlung Walther König, Natural Sources is Jochen Lempert’s second major artist’s book.”—Florian Ebner

This comprehensive catalogue documents the installation of Isa Genzken’s eponymous exhibition at Neue Nationalgalerie Berlin, 13 July–27 November, 2023. Alongside many photographs, the catalogue assembles texts by Dieter Schwarz, Sabine Breitwieser, Manfred Hermes, Tom McDonough, Juliane Rebentisch, Isa Genzken, conversations with Isa Genzken and Wolfgang Tillmans, and Isa Genzken and Diedrich Diederichsen, a preface by Klaus Biesenbach and Lisa Botti, and a new essay by Diedrich Diederichsen. Designed by Julie Peeters, edited by Daniel Buchholz and Christopher Müller.