pool 4 is the title both of a performance and a book produced for MoMA, in which the artist Nora Turato collects language from a range of sources. These “pools” of texts, pulled from the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts, are assembled and arranged, with no logic or narrative structure, into a growing script that Turato memorizes and performs. The publication presented in the space serves simultaneously as prop, set, exhibition, archive, and artist’s book. Designed by Sabo Day.

Confidences/Baseline plays with the vampire novel like a dollhouse. Charac­ters who variously believe in the power of theatre and performance become entangled with grief, desire, and the un­known. What does a rehearsal come to mean when a vampire lives forever?

The performances of Ivan Cheng are incomplete, failing, desperate, and riddled with absence. They use his variously trained performing body, incanting texts that foreground subjectivity in monologues and dialogues. Identities of other interlocutors become embedded through rehearsal, dialogue, and entrustment. Without deluded presupposition of being for everyone, Cheng’s practice is invested in questions around publics and accessibility.

Designed by Sabo Day.