Between December 2022 and March 2023, Vivian Suter shared hundreds of photos, all taken with her mobile phone, with the designer and editor of this book. A selection of these snapshots, condensed, juxtaposed, complementing each other, now forms a kind of photographic journal. It offers insights into Suter’s work on her art and everyday life, which are inextricably interwoven: Photos of canvases and paint pots in the thicket of her jungle-like garden and in the studio, of her dogs, of the house with its characteristic aquamarine green and purplish-red walls, of family pictures, of the play of light and shadow in nature and architecture. Among the many photos, one occasionally finds images of watercolours on (coloured) paper, which the artist made especially for the book. Designed by Sabo Day.

For the first time, this publication brings together the Mosaic works by the British artist Stephen Willats, which were created in Great Britain and Finland in the 1990s. In these works, Willats uses the medium of the book to enter into an exchange with people and to create a space in neighbourhoods, museums, and bookstores where social bonds can be established. It is a collaborative process through which Willats redefines the web of relationships between artist, artwork, audience and society; a process of instituting in which the artwork becomes its own institution.

With contributions by Jamie Allen, Bernhard Garnicnig, Elsa Himmer, Lucie Kolb and Stephen Willats. Designed by Sabo Day.

In Nora Turato’s performances, spoken word, graphic design, and bookmaking are intertwined to explore the possibilities of language in a culture oversaturated with information. Turato collects words and phrases from a range of sources: the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts.

For the first time, this third volume includes texts by writers other than the artist: Graham Burnett, Fabian Flückiger, Ana Janevski and Sohrab Mohebbi. Designed by Sabo Day.

In Nora Turato’s performances, spoken word, graphic design, and bookmaking are intertwined to explore the possibilities of language in a culture oversaturated with information. Turato collects words and phrases from a range of sources: the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts. Pool 2 assembles and arranges these pools of text from 2017 and 2018. Designed by Sabo Day (assisted by Claes Storm).

In Nora Turato’s virtuosic performances, spoken word, graphic design, and bookmaking are intertwined to explore the possibilities of language in a culture oversaturated with information. Turato collects words and phrases from a range of sources: the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts. Pool 5—which takes the form of a performance and a book—assembles and arranges these pools of text into a growing script that Turato memorizes and performs, alternating rhythm and intonation, voices and modes. The publication serves simultaneously as prop, set, exhibition, archive, and artist’s book. Designed by Sabo Day.

pool 4 is the title both of a performance and a book produced for MoMA, in which the artist Nora Turato collects language from a range of sources. These “pools” of texts, pulled from the Internet, media headlines, advertisements, conversations, books, commercial products, and her own thoughts, are assembled and arranged, with no logic or narrative structure, into a growing script that Turato memorizes and performs. The publication presented in the space serves simultaneously as prop, set, exhibition, archive, and artist’s book. Designed by Sabo Day.