Produced on the occasion of the exhibition Some May Work as Symbols: Art Made in Brazil, 1950s–70s at Raven Row, London, 7 March–5 May 2024.

During three decades in the mid-twentieth century, the cities of Rio de Janeiro, Salvador and São Paulo in Brazil saw the development of a series of exchanges and connections between a rich diversity of artistic practices. Artists from different generations and backgrounds brought traditional forms of figurative image-making, Afro-Brazilian heritage, and geometric abstraction into dialogue, in different combinations and intensities, creating a panorama that expanded the understanding of what art could do, beyond specific movements, national narratives and cultural identities.

Designed by John Morgan studio.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the eponymous touring exhibition at CCA Wattis Institute for Contemporary Arts, San Francisco; MoMA PS1, New York; and Raven Row, London, in 2015.

The conceptual duo Jos de Gruyter and Harald Thys continue in the project “Fine Arts” with their playful approach that draws on dystopian narratives. In this scenario the artists have became watercolorists; unfashionably harping back to the previous century’s pictorial tradition while basing their picture making on a range of quotidian and historical images culled from the Internet.

Designed by Boy Vereecken and Harald Thys.

Produced on the occasion of the exhibition Unto This Last at Raven Row, 19 May – 24 July, 2010, taking its cue from John Ruskin’s eponymous book to consider the complicated relationships between contemporary art and craft. With work by Thomas Bayrle, Sarah Browne, Andrea Büttner, Alice Channer, Isabelle Cornaro, Dewar & Gicquel, Pernille Kapper Williams and Běla Kolářová.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition The Stuff That Matters. Textiles collected by Seth Siegelaub for the Centre for Social Research on Old Textiles at Raven Row, London, 1 March–5 May, 2012. Which presented the first exhibition of the collection of historic textiles assembled by Seth Siegelaub over the past thirty years for the Center for Social Research on Old Textiles (CSROT). The exhibition featured over 200 items from the collection and included woven and printed textiles, embroideries and costume, ranging from fifth-century Coptic to Pre-Columbian Peruvian textiles, late medieval Asian and Islamic textiles, and Renaissance to eighteenth-century European silks and velvets.

Nightcleaners (1975) by the Berwick Street Film Collective has long been recognised as a landmark of British experimental film and political cinema. Together with its companion film ’36 to ’77 (1978), it pioneered a film form as radical as the Collective’s politics. The films chronicle one of the key campaigns of the women’s movement in the 1970s. The campaign to unionise women night cleaners in London anticipates contemporary issues regarding precarious labour. To celebrate the first digital release of the films, a special box set has been produced containing the two films on disc, reproductions of historical material, including news sheets of the women’s movement – one designed by Mary Kelly, a member of the Film Collective, an interview with whom is also included as well as rare illustrations and contributions from the filmmakers.

Designed by John Morgan studio.

KP Brehmer (1938–97) found new ways to visualise global capitalism which are of increasing relevance today. In collaboration with his Estate, this exhibition presents drawings, prints, paintings, films, objects and publications, many of which have never been exhibited before. This booklet was produced on the occasion of KP Brehmer. Real Capital–Production, 25 September–30 November 2014 at Raven Row, London, the first solo exhibition of Brehmer’s work in the UK.