This publication was developed over a year and catalogues the photographs Fiona Connor takes as tools for making sculptures while also considering how she prints and uses these images in her studio. Over five thousand images have been edited and collated into stapled book blocks arranged chronologically. The photographs record sites, surfaces, and objects to enable a sculptural language that utilises processes of mimicry and reproduction. When seen together, they operate like a stream of consciousness recorded through the push of a fingertip on a phone screen.