Produced on the occasion of the exhibition Op Losse Schroeven: Situaties en Cryptostructuren, 1969, a groundbreaking exhibition organized by Wim Beeren that is still considered one of the most innovative surveys of new art from that decade. Including the artists Giovanni Anselmo, Walter De Maria, Robert Morris, Robert Smithson, Richard Serra, Neil Jenney, Michael Heizer, Ben d’Armagnac, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Gerrit Dekker, Jan Dibbets, Ger van Elk, Pieter Engels, Barry Flanagan, Bernhard Höke, Paolo Icaro, Immo Jalass, Olle Kåks, Hans Koetsier, Roelof Louw, Bruce McLean, Mario & Marisa Merz, Bruce Nauman, Panamarenko, Emilio Prini, Bob Ryman, Richard Serra, Robert Smithson, Keith Sonnier, Lawrence Weiner, Gilberto Zorio, Joseph Beuys, Douglas Huebler, Rafael Ferrer, Gianni Emilio Simonetti, Frank Viner Engels, Roelof Louw, Bruce McLean, Panamarenko, Emilio Prini, Gerrit Dekker, Hans Koetsier.

Designed by Wim Crouwel & Jolijn van de Wouw. SM Cat no.457

*Please note this publication is secondhand and may have some traces of previous ownership.

Conceived as the second edition to Weiner’s Works (1977), Specific & General Works presents a broad selection of purely textual works by Lawrence Weiner from 1968 to 1993.

Weiner’s body of work has at its core a fundamental questioning of the conventions of objecthood in relation to the producer and its viewer. He used language as the primary medium for his works since the late 1960s. Presented in capital letters, his structures consisting of language, or text fragments, often accompanied by graphic marks and lines, have been exhibited around the world and interpreted into numerous languages.

Catalogue raisonné of the films and videos by Lawrence Weiner. Edited by Bartomeu Mari and Alice Weiner. With a preface by Rudi Fuchs. Designed by Luc Derycke with Lawrence Weiner.

*Please note this publication is secondhand and has some traces of previous ownership.

Featuring the work of Walter de Maria, Michelangelo Pistoletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Jannis Kounellis, Lawrence Weiner, Luciano Fabro, Bruce Naumann, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Keith Sonnier, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.

*Please note this publication is secondhand and has some traces of previous ownership.

For over 33 years, the Amsterdam gallery Art & Project (1968–1998) was a focal point in the development of contemporary art in the Netherlands. Featuring artists such as stanley brouwn, Hanne Darboven, Daniel Buren, Marcel Broodthaers, Ian Wilson, Bas Jan Ader, Yutaka Matsuzawa, Jan Dibbets, Gilbert & George, Richard Long, Ger van Elk, Charlotte Posenenske, and Lawrence Weiner.

To draw attention to their exhibitions, Art & Project produced a total of 156 bulletins. These bulletins soon became an experimental medium, becoming a vehicle for the ideas of conceptual artists and sometimes functioned as a conceptual work of art in its own right.

Originally published by Siegelaub/Wendler in 1968. Republished in December 2015 on the occasion of the exhibition Seth Siegelaub: Beyond Conceptual Art at the Stedelijk Museum, Amsterdam. With contributions from Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol Lewitt, Robert Morris, Lawrence Weiner.