Produced on the occasion of the exhibition Op Losse Schroeven: Situaties en Cryptostructuren, 1969, a groundbreaking exhibition organized by Wim Beeren that is still considered one of the most innovative surveys of new art from that decade. Including the artists Giovanni Anselmo, Walter De Maria, Robert Morris, Robert Smithson, Richard Serra, Neil Jenney, Michael Heizer, Ben d’Armagnac, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Gerrit Dekker, Jan Dibbets, Ger van Elk, Pieter Engels, Barry Flanagan, Bernhard Höke, Paolo Icaro, Immo Jalass, Olle Kåks, Hans Koetsier, Roelof Louw, Bruce McLean, Mario & Marisa Merz, Bruce Nauman, Panamarenko, Emilio Prini, Bob Ryman, Richard Serra, Robert Smithson, Keith Sonnier, Lawrence Weiner, Gilberto Zorio, Joseph Beuys, Douglas Huebler, Rafael Ferrer, Gianni Emilio Simonetti, Frank Viner Engels, Roelof Louw, Bruce McLean, Panamarenko, Emilio Prini, Gerrit Dekker, Hans Koetsier.

Designed by Wim Crouwel & Jolijn van de Wouw. SM Cat no.457

*Please note this publication is secondhand and may have some traces of previous ownership.

For decades, Maurizio Nannucci has preserved exhibition invitation cards. The collection comprises both invitations and announcements from artists whose approaches to art are close to his own. Yet many also come from wider circles of artist friends, colleagues, galleries, and museums, allowing a chronology of relationships and information exchanges to emerge. The selection in this volume makes visible how this kind of communication – often conceived by the artists themselves – superimposes the purely informative value of the printed matter with the freedom of artistic expression; evidence of a holistic practice where such cards can become artworks in their own right.

Featuring Joseph Beuys, Les Levine, Krzysztof Wodiczko, Stephen Willats, New Records & Tapes, Turner Prize, Audie Awards.

Audio Arts was a British sound magazine published on audio cassettes, documenting contemporary artistic activity via artist or curator interviews, sound performances or sound art by artists.

*Please note this publication is secondhand and has some traces of previous ownership.

Catalogue of multiples produced by M. + R. Fricke, Düsseldorf including the work of Arman, Joseph Beuys, George Brecht, Marcel Broodthaers, Christo, Irmel Droese Marcel Duchamp, Robert Filliou, Richard Hamilton, Dorothy Iannone, Yves Klein, Arthur Köpcke, Jannis Kounellis, Piero Manzoni, Maurizio Nannucci, Wolfgang Nestler, Claes Oldenburg, Dennis Oppenheim, Giulio Paolini, Man Ray, Gerhard Richter, Ulrike Rosenbach, Dieter Rot, P.J. Schermer, Daniel Spoerri, André Thomkins, Günther Uecker, Timm Ulrichs, Ben Vautier, Wolf Vostell, Andy Warhol.

*Please note this publication is secondhand and has some traces of previous ownership.

Featuring the work of Walter de Maria, Michelangelo Pistoletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Jannis Kounellis, Lawrence Weiner, Luciano Fabro, Bruce Naumann, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Keith Sonnier, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.

*Please note this publication is secondhand and has some traces of previous ownership.

The Halifax Conference presents a transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, transcribed and adapted by artist Craig Leonard.

Organized by Seth Siegelaub, the Conference was conceived as a means of bringing about a “meeting of artists…[from] diverse art making experiences and art positions…in as general a situation as possible.” Infamously, the conference was held in the college’s boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into a quasi-tragicomic farce, punctuated by remarkable moments of rupture initiated by activist resistance to the Conference from the outside and dissenting voices from within.

Attendees at the conference included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, Gene Davis, Jan Dibbets, Al Held, Mario Merz, Robert Morris, Robert Murray, N.E.Thing Co. (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow, and Lawrence Weiner.