Featuring the work Tableau piège, 1972.
*Please note these items are secondhand and have some traces of previous ownership.
George Platt Lynes is recognized today as a master of 20th century photography, influencing artists such as Robert Mapplethorpe and Herb Ritts. Though Lynes was commercially successful in New York fashion and portrait photography, his art practice is largely characterized today by his remarkable photographs of nude men, from the 1930s until his death in 1955. Using inventive lighting, posing, and cropping techniques within his carefully staged studio settings, he was able to visually translate both the physical and psychological nuances of his subjects.
*Please note this publication is secondhand and has some traces of previous ownership.
George Platt Lynes is recognized today as a master of 20th century photography, influencing artists such as Robert Mapplethorpe and Herb Ritts. Though Lynes was commercially successful in New York fashion and portrait photography, his art practice is largely characterized today by his remarkable photographs of nude men, from the 1930s until his death in 1955. Using inventive lighting, posing, and cropping techniques within his carefully staged studio settings, he was able to visually translate both the physical and psychological nuances of his subjects.
*Please note this publication is secondhand and has some traces of previous ownership.
George Platt Lynes is recognized today as a master of 20th century photography, influencing artists such as Robert Mapplethorpe and Herb Ritts. Though Lynes was commercially successful in New York fashion and portrait photography, his art practice is largely characterized today by his remarkable photographs of nude men, from the 1930s until his death in 1955. Using inventive lighting, posing, and cropping techniques within his carefully staged studio settings, he was able to visually translate both the physical and psychological nuances of his subjects.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of Haegue Yang’s exhibition Unpacking Storage Piece at Haubrokshows, Berlin, 29 September–3 October, 2007.
“Storage Piece was created in 2003. It consists of works that had yet to be sold and nowhere to be stored. Meanwhile, the work, born from necessity, had been exhibited numerous times. Upon its purchase by Axel Haubrok at Art Forum 2005 in Berlin, Haegue Yang transferred the work’s authorship to the collector. The possibility to unpack it was a conceptual part of the work and has now been realized by the owner together with the artist.” Exhibition press release
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition Marcel Broodthaers: Dichter en kunstenaar / Poet and artist at Van Abbemuseum, Eindhoven, 24 February–9 May, 2015. An exhibition of more than seventy books and works on paper by the Belgian poet and conceptual artist Marcel Broodthaers from the Schmidt collection, together with some of the works from the Van Abbemuseum collection.