Produced on the occasion of documenta IX, Kassel, 13 June–20 September, 1992.
*Please note this publication is secondhand and has some traces of previous ownership.
Card 9 of 10 from the series Serie 67 Daniel Spoerri 1961–1982. Featuring the work Gebauchpinselt, 1965.
*Please note these items are secondhand and have some traces of previous ownership.
Featuring the work Tableau piège, 1972.
*Please note these items are secondhand and have some traces of previous ownership.
George Platt Lynes is recognized today as a master of 20th century photography, influencing artists such as Robert Mapplethorpe and Herb Ritts. Though Lynes was commercially successful in New York fashion and portrait photography, his art practice is largely characterized today by his remarkable photographs of nude men, from the 1930s until his death in 1955. Using inventive lighting, posing, and cropping techniques within his carefully staged studio settings, he was able to visually translate both the physical and psychological nuances of his subjects.
*Please note this publication is secondhand and has some traces of previous ownership.
George Platt Lynes is recognized today as a master of 20th century photography, influencing artists such as Robert Mapplethorpe and Herb Ritts. Though Lynes was commercially successful in New York fashion and portrait photography, his art practice is largely characterized today by his remarkable photographs of nude men, from the 1930s until his death in 1955. Using inventive lighting, posing, and cropping techniques within his carefully staged studio settings, he was able to visually translate both the physical and psychological nuances of his subjects.
*Please note this publication is secondhand and has some traces of previous ownership.
George Platt Lynes is recognized today as a master of 20th century photography, influencing artists such as Robert Mapplethorpe and Herb Ritts. Though Lynes was commercially successful in New York fashion and portrait photography, his art practice is largely characterized today by his remarkable photographs of nude men, from the 1930s until his death in 1955. Using inventive lighting, posing, and cropping techniques within his carefully staged studio settings, he was able to visually translate both the physical and psychological nuances of his subjects.
*Please note this publication is secondhand and has some traces of previous ownership.