Bas Jan Ader (1942-1975) (card)
Published by Art & Project, Amsterdam, 1985, card (b/w ill.), 14.7 × 10.5 cm, Dutch
Price: €40

Invitation card produced on the occasion of the exhibition Bas Jan Ader (1942-1975) at Art & Project, Amsterdam, 29 January–23 February, 1985.

Bas Jan Ader was a Dutch conceptual and performance artist known for works exploring failure, loneliness, and the sublime, famously disappearing at sea in 1975 while attempting a transatlantic voyage as the final part of his trilogy, In Search of the Miraculous. His art, often using photography and film, featured self-performances of falling or emotional distress, linking life and art as metaphorical journeys, culminating in his mysterious final act of becoming part of his art.

*Please note this publication is secondhand and may have some traces of previous ownership.

#1985 #artampproject #basjanader #ephemera #invitecard
Painting, Relief, Collage and Drawing
Prunella Clough
Published by Annely Juda Fine Art, London, 2012, folding card (colour & b/w ill.), 22 × 24.5 cm, English
Price: €13

Produced on the occasion of the exhibition Prunella Clough, Painting, Relief, Collage and Drawing at Annely Juda Fine Art, London, 3 May–30 June, 2012, 2009.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

#2012 #ephemera #invitecard #prunellaclough
50 Years of Making Art
Prunella Clough
Published by Annely Juda Fine Art, London, 2009, folding card (colour & b/w ill.), 22 × 24.5 cm, English
Price: €13

Produced on the occasion of the exhibition Prunella Clough, 50 Years of Making Art at Annely Juda Fine Art, London, 28 January–21 March, 2009.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

#2009 #ephemera #invitecard #prunellaclough
Working Drawings 1946 - 1998
Prunella Clough
Published by Annely Juda Fine Art, London, 1998, folding card (colour & b/w ill.), 22 × 24.5 cm, English
Price: €13

Produced on the occasion of the exhibition Prunella Clough, Working Drawings 1946 – 1998 at Annely Juda Fine Art, London, 24 September–24 October, 1998.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

#1998 #ephemera #invitecard #prunellaclough
Prunella Clough
Published by Annely Juda Fine Art, London, 2017, folding card (colour & b/w ill.), 22 × 24.5 cm, English
Price: €13

Produced on the occasion of the exhibition Prunella Clough at Annely Juda Fine Art, London, 24 May–8 July 2017.

Prunella Clough found her subjects by touring London’s industrial wastelands and bombsites – docks, power stations, factories and scrapyards – creating gritty, urban images. Her work – comprising paintings, collages, drawings, reliefs and graphics – increasingly centred on the components of the cityscape as her art, shifted away from representation through various influences including cubism and European abstraction.

*Please note this publication is secondhand and may have some traces of previous ownership.

#2017 #ephemera #invitecard #prunellaclough
Rayograph (Card)
Man Ray
Published by Fotofolio, New York, date unknown, card (colour & b/w ill.), 15.2 × 10.8 cm, English
Price: €12

Rayograph is term invented by Man Ray, in which he merged his name with the word “photograph” to describe his particular approach to the technique of making photograms. As old as photography itself, photograms are photographic prints made by placing objects and other elements on photosensitive paper and exposing it to light, without the use of a camera.

*Please note this publication is secondhand and may have some traces of previous ownership.

#abstractphotography #ephemera #invitecard #manray #photography