Hans Peter Feldmann was a German Conceptual artist best known for his use of artist books, found objects, and appropriated images to reevaluate and recontextualize subject matter. Feldmann often adopted ubiquitous or banal subjects as a starting point—including, for example, shoes or photographs taken from hotel windows—and elevates them through photo essays into profound or thought-provoking experiences.

*Please note this publication is secondhand and may have some traces of previous ownership.

One of fifteen contributions from the postcard portfolio 15 CARTES POSTALE published by Guy Schraenen.

Henri Chopin was a little-known but significant figure of the French and British concrete poetry and lettrist movements. A curator, editor, musician and poet, he worked in a variety of materials, although his most notable works take the form of typewriter poems, each unique and influenced by the artist’s preoccupation with ideas of order and disorder; a result of his wartime experiences.

*Please note this publication is secondhand and may have some traces of previous ownership.

One of fifteen contributions from the postcard portfolio 15 CARTES POSTALE published by Guy Schraenen.

Brion Gysin was a British/Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the novelist William S. Burroughs. With the engineer Ian Sommerville he also invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Jean-Marc Bustamante’s exhibition at the Villa Arson, Nice, 29 March–25 May,1997.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Giovanni Anselmo’s exhibition Nieuw Werk at Galerie Helen Van Der Meij, Amsterdam, 19 November–16 December,1982.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Alighiero Boetti’s exhibition ‘September 1986’ at Michael Klein. Inc, Amsterdam 27 November–22 December, 1986

*Please note this publication is secondhand and may have some traces of previous ownership. Address has been altered in documentation.