Produced on the occasion of Mode and Mode issue 8 Rogue which is assembled around the modernist satirical magazine Rogue (1915–1916) with newly commissioned texts by Astrid Lorange, Femke de Vries, Matthew Linde, Ulrich Lehmann, Isabelle Sully, Yair Oelbaum, Katherine Bernard and Rowan McNaught.

The issue produces a conceptual mirror in the form of a split screen: on the left, a facsimile of the first issue of Rogue, published in March 1915, and on the right, Mode and Mode. This collective enquiry into Rogue not only recirculates and reconsiders this distinctive project in the context a radically different scene of art, fashion and poetry of the present day.

You can read the issue online here.

Mode and Mode is a periodical that addresses printed matter in fashion practice. Each issue explores experimental publishing in fashion with an interview around a print-based project at the margins—one that has critical effects to fashion as a discourse—with the aim to level alternative, lesser-known fashion practices with contemporary fashion discourse.

Mode and Mode seven presents an anthology of text works and biographical listings of key D&K (Ricarda Bigolin and Nella Themelios) projects from 2012 to present as a companion publication to D&K LOOK BOOK 2019 which can be found here.

Since the early 1960s, Stephen Willats has devoted himself to the dialogue between the artwork and the viewer.

His models from the series Multiple Clothing are specially made mix-and-match PVC garments. Each design is produced as an assemblage of clothing sections that contain either singe words, or a range of letters. These can be built up within the framework of each design, indicating the state of mind of the wearer.

This artist’s book contains diagrams, drawings and photographs of the work alongside comment and text written by Willats himself.

A video about the project can be found here.

Mode and Mode is a periodical that addresses printed matter in fashion practice. Each issue explores experimental publishing in fashion with an interview around a print-based project at the margins—one that has critical effects to fashion as a discourse—with the aim to level alternative, lesser-known fashion practices with contemporary fashion discourse. Mode and Mode four ‘fashion without fashion’ features a reprint of the publication Friction/Parade 99 (1999) created by Keupr/Van Bentm in collaboration with Experimental Jetset.

Mode and Mode is a periodical that addresses printed matter in fashion practice. Each issue explores experimental publishing in fashion with an interview around a print-based project at the margins—one that has critical effects to fashion as a discourse—with the aim to level alternative, lesser-known fashion practices with contemporary fashion discourse.

Mode and Mode six ‘Art for All’ featuring an interview with Hans Ulrich Obrist on the publication point d’ironie co-founded with artist Christian Boltanski and agnès b., and a foldout poster created by Kate Meakin and Jessie Kiely.

Dictionary Dressings is an ongoing research project by Femke de Vries that uses the nature of the dictionary definition as a “zero condition” for a piece of clothing to decode clothes and explore an alternative fashion vocabulary.

The book contains an introductory conversation by the editor/artist/researcher Femke de Vries with Ruby Hoette, text contributions by Joke Robaard and Barbara Brownie and visual contributions by BLESS, Conny Groenewegen, Elisa van Joolen and Students from the HKU (University of the Arts Utrecht) 2015/16.