Published on the occasion of the Michael Snow retrospective, held at Anthology Film Archives, New York, 3 December–14 December, 2021. Including the full series texts, a filmography, a republished piece by P. Adams Sitney from 1976, and Raymond Foye’s 2021 interview with Snow.

Produced on the occasion of the screenings Selected Video Works (1970-1991) of Michel Auder’s work that took place at Anthology Film Archives, from 20 May–22 June, 1991. This publication includes an introduction by Jonas Mekas, and descriptions of the screenings, along with corresponding film stills.

Produced on the occasion of the exhibition Chantal Akerman – Travelling held at BOZAR – Centre for Fine Arts, Brussels & Jeu de Paume-Jardin des Tuileries, Paris. The exhibition traced the atypical trajectory of Belgian filmmaker, writer, and artist Chantal Akerman. From the very beginning in Brussels to the Mexican desert, from her very first films to her last installations in 2015. This is the first major exhibition on the Brussels-based artist, featuring unique and never-before-seen images, production, and working documents from her archive. Follow all the stages of her career through the years and places Akerman has traversed and filmed. She went there to work with media as diverse as film, television, text, and installation.

Produced on the occasion of the exhibition Video from Tokyo to Fukui and Kyoto at The Museum of Modern Art, New York, 19 April–19 June, 1979; Long Beach Museum of Art, Long Beach, California, June 24–August 5, 1979; Vancouver Art Gallery, Vancouver, July 20–August 6, 1979, The Prefectural Museum of Art, Fukui, April 1980.

Including artists; Mako Idemitsu, Nobuhiro Kawanaka, Hakudo Kobayashi, Akira Kurosaki, Toshio Matsumoto, Kyoko Michishita, Tsuneo Nakai, Ko Nakajima, Fujiko Nakaya, Hitoshi Nomura, Katsuhiro Yamaguchi, Keigo Yamamoto

*Please note this publication is secondhand and has some traces of previous ownership.

Józef Robakowski, a key figure of the 1960s and 1970s neo-avant-garde rebellion, is a master of structural cinema and a pioneer of Polish video art. In his practice he has tested viewers’ perceptual habits, developed ideas about mechanical recordings beyond any aesthetic convention, and criticized methods of visual persuasion in films, highlighting in particular the pompousness of political spectacles. A radical experimentalist and media analyst, Robakowski is known for his unique approach, “his own cinema,” in which autobiography replaces dubious history, and in which the artist proposes his own scenario for perceiving the reality of life under communism.

Produced on the occasion of the travelling exhibition Michael Snow: Works 1969-1978, Films 1964–1976 at Kunstmuseum Luzern, 4 March–22 April 1979; Rheinisches Landesmuseum Bonn, 2 August–9 September 1979; and Städtische Galerie im Lenbachhaus München, 16 October – 25 November 1979.

Michael Snow (1928–2023) was one of the world’s leading experimental filmmakers, having inspired the Structural Film movement with his groundbreaking film Wavelength, 1967. Snow’s extensive and multidisciplinary oeuvre includes painting, sculpture, video, film, sound, photography, holography, drawing, writing, and music.