The Weather is Quiet, Cool and Soft
Guy Mees
Published by MuZEE, Oostende, 2018, 22 pages (colour & b/w ill.), 10.5 × 14.8 cm, English
Price: €4

Exhibition brochure produced on the occasion of Guy Mees: The Weather is Quiet, Cool and Soft at MuZEE, Oostende, 24 November, 2018–10 March, 2019. The Weather is Quiet, Cool and Soft presented works from different stages in the career of the Belgium artist Guy Mees (1935–2003) to shed light on his intuitive and conceptual approach. The selected works ranged from early lace pieces generically entitled Lost Space to the films and the photographs of the series of portraits Difference of Levels, never before shown structuralist works from the 1970s, pastel on paper series from the mid-1970s and paper cut-outs from the 1980s. Together, these allow a study of Mees’s practice and his ideas of mutability, fragility, porosity and the expansion of pictorial space into social space. The title of the exhibition (taken from a note by the artist) is a reference to the atmospheric impermanence in Mees’s work and his relativist poetical approach.

#2018 #ephemera #guymees #joriskritis #lilouvidal
EVERY SINGLE DAY
Haim Steinbach
Published by Museum Kurhaus, Kleve, 2018, 8 postcards (b/w ill.), 10.5 × 15 cm, German
Price: €30

Set of 8 postcards produced on the occasion of Haim Steinbach: every single day, a comprehensive solo exhibition at the Museum Kurhaus Kleve, 22 September, 2018–27 January, 2019.

For more than four decades, Haim Steinbach has explored the psychological, aesthetic, cultural and ritualistic aspects of collecting and arranging already existing objects. His work engages the concept of “display” as a form that foregrounds objects, raising consciousness of the play of presentation. Steinbach selects and arranges objects—which range from the natural to the ordinary, the artistic to the ethnographic—thereby emphasizing their identities, inherent meanings and associations. An important influence in the growth of post-modern artistic dialogue, Steinbach’s work has radically redefined the status of the object in art.

#2018 #ephemera #haimsteinbach
Harun Farocki
Published by 1856, Melbourne, 2018, 4 pages, 21 × 29.7 cm, English
Price: €2

Catalogue for a season of film screenings at Melbourne Cinematheque focusing on the work of Harun Farocki, presented by 1856.

Designed by Lucas Quigley.

You can find more on the program here.

#1856 #2018 #ephemera #harunfarocki #lucasquigley #nicholastammens
Patricia L. Boyd
Published by 1856, Melbourne, 2018, 4 pages, 21 × 29.7 cm, English
Price: €2

Catalogue for an exhibition of new work made by Patricia L. Boyd in Melbourne, presented across two locations: at Victorian Trades Hall and a coworking creative office space 225 Queensberry St, Carlton.

Designed by Beaziyt Worcou.

You can find more on the exhibition here.

#1856 #2018 #beaziytworcou #ephemera #nicholastammens #patricialboyd
Inhuman
Published by Fridericianum, Kassel, 2015, 48 pages, softcover (stapled), 12 × 20 cm, English/German
Price: €3 (Out of stock)

Produced on the occasion of Inhuman, 29 March–14 June, 2015. Curated by Susanne Pfeffer. Artists include: Julieta Aranda, Dora Budor, Andrea Crespo, Nicolas Deshayes, Aleksandra Domanović, David Douard, Jana Euler, Cécile B. Evans, Melanie Gilligan, Oliver Laric, Johannes Paul Raether, Pamela Rosenkranz, Stewart Uoo, Lu Yang, Anicka Yi.

The artists participating in the exhibition “Inhuman” offer visions of the human being as a socially trained yet resistant body, transcending biologically or socially determined gender classifications, as a digitally immortal entity, or as a constantly evolving self. They visualize the constructs that define what is human and shift existing perspectives on human subjectivity and the body, thereby questioning the primacy of the human being at a fundamental level.

Designed by ZAK Group.

#2015 #aleksandradomanovic #anickayi #cecilebevans #daviddouard #ephemera #fridericianumkassel #janaeuler #melaniegilligan #nicolasdeshayes #oliverlaric #pamelarosenkranz #stewartuoo #susannepfeffer
Anicka Yi
Published by Fridericianum, Kassel, 2016, 44 pages (colour ill.), stapled booklet, 18.5 × 29.5 cm, English/German
Price: €6 (Out of stock)
In her work, Anicka Yi explores life forms, organisms and microbiological processes with “multinatural perspectivism”. The exhibition booklet explores further the clashes and unions between natural and artificial bringing Yi’s work together with illustrations by British botanist Margaret Mee, a pioneer in environmental activism in the Amazon Basin. The double sided booklet which can be read in English or German contains the exhibition guide, the essay The Notion of Species in History and Anthropology by Eduardo Viveiros de Castello and the script of Yi’s film The Flavour Genome.
#2016 #anickayi #ephemera #fridericianumkassel #zakgroup