vijf schilderijen
Hans Schuil
Published by Art & Project, Amsterdam, date unknown, card (b/w ill.), 14.7 × 10.5 cm, Dutch
Price: €13

Produced on the occasion of the exhibition Hans Schuil vijf schilderijen at Art & Project, Amsterdam.

*Please note this publication is secondhand and has some traces of previous ownership.

#artampproject #ephemera
Playbill Act V: Anna Daučíková & Helena Jiskrová
Published by Playbill, Amsterdam, 2023, 1 page, 25.4 × 40 cm, English
Price: €1

Programme produced on the occasion of Playbill Act V: Anna Daučíková & Helena Jiskrová at Torpedo Theatre, Amsterdam June 9, 2023.

Completely adept at taking on institutions that wield normative forms of power, Anna Daučíková is unashamedly informed by the value of her lived experience, a personal history that takes a guiding role within her practice, particularly the period of time during which she lived under surveillance in the former Soviet Union.

In an early photographic series titled Acadamey of the Arts (1988), Daučíková rightly takes up her position atop a plinth built into the side of the Academy of Arts building in Moscow, a subversive move given that it was a position traditionally reserved for the male greats. Daučíková went on to become a professor herself, and was for a long time one of the few women teaching at the academy in Prague. This biographical trajectory evolved into a series of films titled Portrait of a Woman with Institution, which plot out the relationships of various women to the institutions they inhabited. For Act V, one film from this series was screened, dedicated to Czech architect Helena Jiskrová. Alongside the screening, four pieces of furniture redesigned by Jiskrová from salvaged street materials set the scene for the viewing.

#2023 #annadaucikova #ephemera #isabellesully #marthajager #maudvervenne #playbill
Sarah Rapson
Published by Secession, Vienna, 2021, card (colour & b/w ill.), 10.5 × 14.7 cm, English
Price: €4

Produced on the occasion of Sarah Rapson’s exhibition Ode To Psyche at Secession, Vienna, November 20, 2021– February 20, 2022.

#2021 #ephemera #sarahrapson #secession
Collected Printed Matter 1971–2020
Richard Nonas
Published by Tonini Editore, Gussago, 2023, 176 pages (b/w ill.), 17 × 23 cm, English
Price: €28 (Out of stock)

Richard Nonas: Collected Printed Matter 1971–2020 is a tribute to an artist who has superbly captured the essence of the artist’s book, the poster and the invitation as well, by integrating them as symbiotic components into his artistic research; that is, a poetic narrative contaminated by those memories of landscapes and figures that have animated his personal history and that have never left him. This book showcases 138 records of artist’s books, catalogues, posters, invitation cards and ephemera (with an essay by Jan Meissner). Richard Nonas (1936–2021) was a major figure in American post-minimalism.

#2023 #ephemera #richardnonas #toninieditore
Gerwald Rockenschaub
Published by Galerie nächst St. Stephan, Vienna, 1986, card (colour ill.), 15 × 21 cm, German
Price: €15 (Out of stock)

Invitation card produced on the occasion of Gerwald Rockenschaub’s exhibition at Galerie nächst St. Stephan, Vienna, 3 May–22 June, 1986.

Gerwald Rockenschaub works within a formal repertoire that he began developing in the 1980s when he was a central figure in the emerging “neo-geo” (neo-geometric conceptualism) movement. Uniquely influenced by his work as a techno DJ and composer of electronic music, Rockenschaub absorbs the everyday imagery and forms of logos, traffic signs, and pictograms to produce sculptures, wall installations, and animations that render an aura of hyperrealist perfection.

#1986 #ephemera #gerwaldrockenschaub #painting
4 Cartes Postales
Mirtha Dermisache
Published by Guy Schraenen Éditeur, Antwerp, 1978, four cards in folder (b/w ill.), 15.8 × 11 cm, English
Price: €200

Four postcards in a folder published by Guy Schraenen éditeur, 1978. Argentinian artist Mirtha Dermisache wrote dozens of books, hundreds of letters and postcards, and countless texts. Not a single one was legible, yet, in their promixity to language, they all resonate with a mysterious potential for meaning. Using ink on paper, Dermisache invented an array of graphic languages, each with its own unique lexical and syntactic structure, laden with poetic and sometimes visceral suggestion.

*Please note this publication is secondhand and has some traces of previous ownership.

#1978 #concretepoetry #ephemera #guyschraenen #mirthadermisache