Produced on the occasion of documenta IX, Kassel, 13 June–20 September, 1992.

*Please note this publication is secondhand and has some traces of previous ownership.

Card 9 of 10 from the series Serie 67 Daniel Spoerri 1961–1982. Featuring the work Gebauchpinselt, 1965.

*Please note these items are secondhand and have some traces of previous ownership.

Featuring the work Tableau piège, 1972.

*Please note these items are secondhand and have some traces of previous ownership.

Poster produced on the occasion of the launch of The Stuart Sherman Papers, published by Flat i, Amsterdam. Thursday, 5 June, 2025, at De Uitkijk, Amsterdam.

Designed by Robert Milne.

Produced on the occasion of the exhibition Documenting Cadere, 1972–1978, MuZEE, Oostende, 2 March–2 May, 2013, curated by Lynda Morris.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

You can see Lynda Morris talking about Cadere here.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Wade Guyton, Zwei Dekaden MCMXCIX–MMXIX, 16 November, 2019–1 March, 2020.

Wade Guyton rose to prominence in the mid-2000s with a landmark series of abstract paintings composed of simple forms and letters printed on canvas. Running the canvas through a commercial inkjet printer, Guyton stretched the device beyond its capacity to the point of failure, embedding the limits of a digital future onto the surfaces of his paintings.