Produced on the occasion of stanley brouwn’s exhibition at Van Abbemuseum, Eindhoven, 22 January–April 4, 2005.
*Please note this publication is secondhand and may have some traces of previous ownership and address sticker has been altered in documentation.
Produced on the occasion of the exhibition Investigations 1988 at the Institute of Contemporary Art, Philadelphia.
It isn’t just in her photographic work that Lawler explores art’s economic regime down to its smallest, seemingly banal details. She also continues to produce ephemera including matchbooks, gift certificates, postcards, posters, and souvenirs such as drinking glasses or paperweights. Invoking her signature, subtle humour, she underscores how the art apparatus relies on a loose network of advertising materials and other articles that help determine how an artwork is recognized and valued.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of On Kawara’s exhibition at Galerie Max Hetzler, Cologne, 7 March–11 April, 1987.
*Please note this publication is secondhand and may have some traces of previous ownership.
Invitation card produced on the occasion of the exhibition Bas Jan Ader (1942-1975) at Art & Project, Amsterdam, 29 January–23 February, 1985.
Bas Jan Ader was a Dutch conceptual and performance artist known for works exploring failure, loneliness, and the sublime, famously disappearing at sea in 1975 while attempting a transatlantic voyage as the final part of his trilogy, In Search of the Miraculous. His art, often using photography and film, featured self-performances of falling or emotional distress, linking life and art as metaphorical journeys, culminating in his mysterious final act of becoming part of his art.
*Please note this publication is secondhand and may have some traces of previous ownership.
Produced on the occasion of Ian Wilson’s Discussion at Van Abbemuseum, Eindhoven, 1 March, 2009.
Ian Wilson presented spoken language as his artistic medium, liberating art from its material form and opening it up to the unpredictability of verbal exchange. Through his Discussions, he engaged individuals in private and public conversations about verbal communication. Wilson views speech as dematerialized sculpture, believing that words enable one to “have the essential features of the object at your disposal.”
*Please note this publication is secondhand and may have some traces of previous ownership.
Promotional card for a publication containing a detailed presentation of all 22 works by Peter Roehr in the collection of the Frankfurter Museum für Moderne Kunst.
Despite having only a brief artistic career, spanning from 1962 to 1967, Peter Roehr left behind him a prolific oeuvre of pioneering collages, photo and sound montages and films. Roehr developed a proto-conceptual practice borrowing from pop art and minimalism. His practice was based on the principle of serial organisation and montage, focusing on the effects produced by unvaried repetition.
*Please note this publication is secondhand and may have some traces of previous ownership.