Produced on the occasion of Daniel Buren’s exhibitions at the Institute of Contemporary Arts, Nagoya, April 15 – June 25, 1989 and the Touko Museum of Contemporary Art, Tokyo, April 28 – June 11, 1989.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Daniel Buren’s exhibition at the Stedelijk Museum, Amsterdam, 30 April – 7 June, 1976. With texts from Michel Claura and Germano Celant. Designed by Total Design.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Parallelepipede & Trame Travail in situ by Daniel Buren at the Center for Contemporary Art, Kitakyushu, 1 – 19 December, 1997.

A brochure produced by Jean Claude Lefèvre on the occasion of Daniel Buren’s exhibition Points de vue at ARC/Musée d’ Art Moderne de la Ville de Paris, May 5 1983.

*Please note this publication is secondhand and has some traces of previous ownership.

The Kiyosato Museum of Contemporary Art was a private museum that opened in Kiyosato, Yamanashi Prefecture in 1990 and closed in 2014. This book, focusing exclusively on the museum’s “Ephemera” collection, is the first volume of a series of archival books on the museum’s collection.

This volume includes the works of Yutaka Matsuzawa, Claes Oldenburg, Cy Twombly, Daniel Buren, Donald Judd, Ellsworth Kelly, Hanne Darboven, John Cage, Marcel Duchamp, Robert Rauschenberg, stanley brouwn, Tony Cragg, Wolfgang Laib, and many others.

For over 33 years, the Amsterdam gallery Art & Project (1968–1998) was a focal point in the development of contemporary art in the Netherlands. Featuring artists such as stanley brouwn, Hanne Darboven, Daniel Buren, Marcel Broodthaers, Ian Wilson, Bas Jan Ader, Yutaka Matsuzawa, Jan Dibbets, Gilbert & George, Richard Long, Ger van Elk, Charlotte Posenenske, and Lawrence Weiner.

To draw attention to their exhibitions, Art & Project produced a total of 156 bulletins. These bulletins soon became an experimental medium, becoming a vehicle for the ideas of conceptual artists and sometimes functioned as a conceptual work of art in its own right.