Produced on the occasion of Christopher Williams: Werbung: A 48 hour display of quality framing materials at Maxwell Graham, New York, 15 – 17 December, 2023, which presented for the first time, Provisional Prop: Formal Public Disclosure and marked the announcement of the availability of Christopher Williams’ adaptation of Franz Xaver Kroetz’s 1971 play Inklusive for broadcast on radio, along with wall coverings, radio, printed matter, picture frames, photographs, films, and arrangements. Presented within a 48 hour time frame, these elements constitute a staging of materials for submission to the public record.

Produced on the occasion of the exhibition Heimarbeit. Adapted for use. IKEA Küchen Ensemble by Christopher Williams at Galerie Gisela Capitain, Köln, 16 November, 2023–27 January, 2024.

As stated in the brochure for the exhibition: “This IKEA Küchen ensemble, this set, this arrangement of props. Organized for the production of conventional forms. These forms contribute to a typological study of the photographic image. Frontal, overhead, 3/4 shots.The building blocks.”

With a text by Tom McDonough.

Produced on the occasion of Christopher Williams, Werbung: Adapted for Use and Provisional Prop. A 48-Hour Display of Quality Framing Materials, 29 April–27 June, 2021, Strausberger Platz 19 & Kino international, Berlin; Werbung: Adapted for use, 29 April–24 June, 2021, Haubrok Foundation, Strausberger Platz 19, Berlin; Provisional Prop, screening: 25 June, 2021, 5.30 pm, Kino International, Berlin; Kochgeschirr: Adapted For Use, 28 April–17 July, 2021, Capitain Petzel, Berlin.

A video documenting the exhibition can be seen here.

Card produced on the occasion of the publication and book launch for Christopher Williams publication Inklusive: Franz Xaver Kroetz 1971.

The Austrian Günter Peter Straschek belonged to the very first cohort of students at the Deutschen Film- und Fernsehakademie in West Berlin – alongside Hartmut Bitomsky, Harun Farocki and Helke Sander. He and many of his fellow students participated in the New Left movement, recording demonstrations and supporting campaigns. Straschek’s Western für den SDS (1967/68, cinematography: Holger Meins) depicts the development of the left as a learning process for women, whose consciousness grows through the movement, but who continue to have no say in it. It was seized by the governing body of the film school in 1968, never screened and consequentially became legendary. Western für den SDS was finally given its premiere in 2018 at Museum Ludwig, as part of an exhibition dedicated to Straschek. This book publishes previously unreleased work material related to the film, which is a key work of the student movement and of Günter Peter Straschek’s oeuvre. Includes a photo gallery from the Christopher Williams class, Köln, 2019.