Featuring the work of Walter de Maria, Michelangelo Pistoletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Jannis Kounellis, Lawrence Weiner, Luciano Fabro, Bruce Naumann, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Keith Sonnier, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition at Hayward Gallery, London, 17 August–24 September, 1972. Artists include Keith Arnatt, Art & Language, Victor Burgin, Michael Craig-Martin, David Dye, Barry Flanagan, Hamish Fulton, Gilbert & George, John Hilliard, Richard Long, Keith Milow, Gerald Newman, John Stezaker, and David Tremlett.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of ’Pataphysics and Transactions Between Barry Flanagan And John Latham at Flat Time House, London, 2 April–17 May. Curated by Jo Melvin, Palindromes looked at Barry Flanagan and John Latham’s preoccupation with ’pataphysics and provided a framework for dialogues between Barry Flanagan and John Latham. ’Pataphysics is defined by its inventor, Alfred Jarry, the Symbolist poet and writer, as ‘the science of imaginary solutions.’ It preoccupied Flanagan from the early 1960s before he enrolled on the Advanced Sculpture Course at St Martin’s School of Art in 1964, where he met John Latham who was at that time teaching in the painting department.

*Please note this publication is secondhand and has some traces of previous ownership, the cover has slight sun damage.