Aldo and Hannie van Eyck met as students of architecture and married in 1942, and worked together closely on most projetcs, interrupted only for a few years in the late 1970s. This book, part of the Everything series by Kersten Geers, presents 24 of their buildings in drawings (site, plans, sections and elevations) by students of the Academy of Architecture USI, Mendriso, as well as numerous photographs by Bas Princen. The presented buildings do not only include their canonized art brut architecture, but also their lesser known late work.

Designed by Joris Kritis.

A conversation between the artist Marc Camille Chaimowicz and the architect Roger Diener about their collaboration, The Armadillo House in Basel. Chaimowicz claims the interior as a pictorial space while also referencing the history of architecture, art and design. His agenda has been described as the celebration of domestic detritus and his spatial installations appear as painterly tableaus. From the 1970s onwards he advanced a critique of rigid, austere minimalism. For Diener, on the other hand, pictorial space is not a factor. Instead, he puts forward a modernist notion of non-expression, with architecture functioning as its raw material. In his architecture, it is not the insertion of culturally codified images but rather spatial configurations that shape the movement and circulation of inhabitants.

Aldo van Eyck was one of the most influential protagonists of the architectural movement Structuralism. From 1983 Van Eyck worked in association with his wife, Hannie. Their projects show a further liberation from CIAM rationalism and a passionate exploration of new possibilities in the fields of structure, form and colour.

*Please note this publication is secondhand and has some traces of previous ownership.