Wolfgang Stoerchle is a particularly notable artistic figure of the early seventies who left a certain but little advertised mark on a generation of Californian artists, especially through videotapes and performances involving his body as raw material. His short but eventful life is surrounded by rumours, and his abrupt death in 1976 may have emphasised the myth around him even more. His entire body of work was produced in eleven years, between 1965 and 1976. Forty-five years after he passed away, his name still drifts across the West Coast art world, awaiting wider recognition. This is the first monograph on Stoerchle’s work and includes interviews with Daniel Lentz, Paul McCarthy, Matt Mullican, David Salle, Helene Winer, and an unpublished review by James Welling, alongside ephemera and documentation of Stoerchle’s video works and performances, as well as rarely seen sculptures, installations, and paintings.

Edited by Alice Dusapin, with Justin Jaeckle and designed by Coline Sunier & Charles Mazé.

One Thing I Know is Pati Hill’s third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to “quit writing in favor of housekeeping”.

Untrained as an artist, she began to use the photocopier as an artistic tool in the early 1970s and continued to do so until her death, leaving behind an extensive oeuvre that explores the relationship between image and text. In addition to this comprehensive body of xerographic work, she published four novels, a memoir, several short stories, artist’s books, and poetry.

Afterword by Baptiste Pinteaux.

The tenth issue of the biannual journal-collection that brings together academic writings, interviews with artists, critical essays and artists’ interventions in the form of inserts.

With & about Sara de Chiara, Rafael Corcostegui, Moyra Davey, Pierre Dulieu, Guillaume Dustan, Jana Euler, Sylvie Fanchon, Jim Fletcher, Alexander García Düttmann, Jeanne Graff, Gary Haller, Alex Hay, Martin Laborde, Daniel Lentz, Mina Loy, Liz Magor, Nick Mauss, Nicolas Moufarrege, Baptiste Pinteaux, Richard Rezac, Clément Roussier, Edith Schloss, Albert Serra, Pierre Thévenin, Belén Uriel, Charles Veyron, Robin Waart, Emily Wardill, Román Yñán.

Edited by Alice Dusapin, Martin Laborde, Baptiste Pinteaux, Alice Pialoux. Designed by Marc Touitou & Robert Milne.

A poem first published in 1975 by Bern Porter, presented in alphabetical order, with the same number of acts for each letter. This new edition presents an additional introduction, transcribed from a reading given by Bern Porter on May 19, 1985, in Madison, Maine.

Bern Porter (1911–2004) was an American artist, writer, publisher, performer, and physicist. He was a representative of the Mail Art and Found Poetry avant-garde art movements.

Edited by Alice Dusapin and designed by Robert Milne.

Octopus Notes is a biannual journal that publishes critical essays, academic writings, interviews and artists’ projects.The ninth issue brings together contributions by Ana Baliza, Tenzing Barshee, Tomas Cunha Ferreira, Alice Dusapin, Alexandre Estrela, Wade Guyton, Pati Hill, Merlin James, Justin Jaeckle, JGL, Greer Lankton, Douna Lim, Mark Melnicove, Paul Monroe, Adrian Morris, Lil Picard, Carlo Pittore, Bern Porter, Seth Price, Zoé Stillpass, Théo Robine-Langlois, Anne Turyn, Camille Vivier, Erika Vogt, Kelley Walker, and Martin Wrong.