The Kiyosato Museum of Contemporary Art was a private museum that opened in Kiyosato, Yamanashi Prefecture in 1990 and closed in 2014. This book, focusing exclusively on the museum’s “Ephemera” collection, is the first volume of a series of archival books on the museum’s collection.

This volume includes the works of Yutaka Matsuzawa, Claes Oldenburg, Cy Twombly, Daniel Buren, Donald Judd, Ellsworth Kelly, Hanne Darboven, John Cage, Marcel Duchamp, Robert Rauschenberg, stanley brouwn, Tony Cragg, Wolfgang Laib, and many others.

Produced on the occasion of Dora Budor’s exhibition OLD WORLD at Galerie Molitor, Berlin, 14 April–24 June, 2023. Limited edition of 100. Text by Gianmaria Andreetta. Designed by Dora Budor and Dan Solbach.

Published twice a year since 2002, Encens is focused on fashion as artform from the perspective of designers rather than trends. The magazine investigate new forms of dressing from past to present with probing interviews, extensive use of photography and vintage, and dynamic layout. This issue features Niccolo Pasqualetti, Sybille Walter, Angelo Flaccavento, Christopher Andrews, Serge Lutens, Giorgio Armani, Hed Mayner, Uma Wang.

Published twice a year since 2002, Encens is focused on fashion as artform from the perspective of designers rather than trends. The magazine investigate new forms of dressing from past to present with probing interviews, extensive use of photography and vintage, and dynamic layout. This issue features Christopher Andrews, Francoise Ha Van, Comme Des Garcons, Yohji Yamamoto, Philip Clarke, Caroline Baker, Debbi Mason, Patrizia Roversi, Miguel Adrover, Dal Chodha. Angelo Flaccavento, Zoran, Niccolo Pasqualetti, Meryl Fontek.

Produced on the occasion of Wyatt Niehaus: AFTER THE GOLDRUSH, 11 November, 2023–19 January, 2024.

Model sailboat ratline template. Digital print on 3-ply card-stock. Ratlines of various sizes for all rigged war ships. Scale 1:350. Edition of 50.

Edition of 100 copies numbered and signed by the artist on a certificate, plus 13 artist’s proofs.

As the Latinization of the Japanese name akebi, “akebia” designates fives species of plants native to East Asia. These are climbing evergreen shrubs that have been used in many ways (decoration, medicine, craft), including for the consumption of its sweet, white fruit. Delicately placed at the center of the composition, the leaf appears in this work as in an herbarium, its familiar but inexhaustible form offered to the viewers for their contemplation. But a closer examination reveals a constellation of water droplets on the surface, as well as irregular edges – and we finally understand that the leaf is a photographic cut-out. Just for a moment, we mistook the reproduction for its original. What appeared to be a clear reference to the standards of scientific, botanical representation drifts off towards another domain.