This catalogue explores some of the pivotal themes of the artist’s research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

For her first institutional show in Italy, organised by Fondazione Furla at the GAM – Galleria d’Arte Moderna, in Milan, Nairy Baghramian began with the specific urban setting of the GAM, that is, an English garden open to adults only when accompanied by children. The contrasting impressions created by a context that evokes the reassuring and playful world of childhood, while at the same time engendering a sense of frustration through its limited accessibility, provide the inspiration for Misfits. Designed by Lorenzo Mason Studio.

This book features 323 photographic images by B. Ingrid Olson, all taken in 2021. Near sunset, the artist often constructs provisional sculptural arrangements of raw materials, found objects, remnants of her other works, and studio detritus. Carefully stacked or precariously balanced, each temporary assemblage is documented in the evening, when the cast light creates long shadows, accentuating the shapes and textures at hand. The formations are adjusted across multiple images, creating varied sets of near repetitions that evidence Olson’s quick decisions, minor adjustments and the movement of light and shadow at the end of each day.

Produced on the occasion of the exhibition David Medalla: Parables of Friendship at Bonner Kunstverein, 18 September 2021–30 January 2022 & Museion, Bolzano, 9 April–14 September 2022. Curated by Fatima Hellberg and Steven Cairns. Exhibition design and architecture Michael Kleine.

The publication brings together previous unpublished writings of Medalla, interviews with the artists, alongside contributions by writers and academics including the Purissima Benitez-Johannot, Eva Bentheva, Gavin Jantjets, David Morris, Rasheed Araeen, amongst others along with visual material from the Medalla archives, the archive of art historian Guy Brett and David Medalla.

Cards produced on the occasion of Füsun Onur: Once upon a time…, a new installation conceived for the Pavilion of Turkey at the 59th International Art Exhibition of La Biennale di Venezia, curated by Bige Örer, exemplifies not just the artist’s recent work, but the narrative and autobiographical elements that have characterized her art for more than half a century. A companion to the exhibition, this book is the most comprehensive monograph ever published on the artist. It details almost all of her works, and includes twenty-six new essay by leading figures in the international art world, as well as archival fragments and interviews.

Produced on the occasion of Füsun Onur: Once upon a time…, a new installation conceived for the Pavilion of Turkey at the 59th International Art Exhibition of La Biennale di Venezia, curated by Bige Örer, exemplifies not just the artist’s recent work, but the narrative and autobiographical elements that have characterized her art for more than half a century. A companion to the exhibition, this book is the most comprehensive monograph ever published on the artist. It details almost all of her works, and includes twenty-six new essay by leading figures in the international art world, as well as archival fragments and interviews.

One Thing I Know is Pati Hill’s third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to “quit writing in favor of housekeeping”.

Untrained as an artist, she began to use the photocopier as an artistic tool in the early 1970s and continued to do so until her death, leaving behind an extensive oeuvre that explores the relationship between image and text. In addition to this comprehensive body of xerographic work, she published four novels, a memoir, several short stories, artist’s books, and poetry.

Afterword by Baptiste Pinteaux.