A key figure in the New York art scene, Amy Sillman is renowned for her singular approach to painting and drawing. Her writings extend a practice that challenges traditions and theoretical frameworks with criticality and humor, and advocates subjectivity: she reevaluates Abstract Expressionism with a queer eye, explores the meanings of color and shape, and discusses in depth the work of other artists—from Delacroix (and Cézanne!) to Maria Lassnig to Carolee Schneemann to Laura Owens. In Faux Pas, a collection of her most recent essays, alongside her cartoons and original drawings, art—as personal as it is political—is a practice that responds to today’s struggles.

A conversation between the artist Marc Camille Chaimowicz and the architect Roger Diener about their collaboration, The Armadillo House in Basel. Chaimowicz claims the interior as a pictorial space while also referencing the history of architecture, art and design.

Produced on the occasion of the exhibition Marc Camille Chaimowicz – Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022-2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Produced on the occasion of the exhibition Marc Camille Chaimowicz – Zig Zag and Many Ribbons… at MAMC Saint-Etienne in 2022-2023, this reference monograph revisits the conceptual and sensorial developments pursued by the artist since the 1970s.

Includes a ribbon drawn by the artist as an inserted bookmark. Edited by Marc Camille Chaimowicz and Anna Clifford. Text by Marie Canet. Designed by Zak Kyes.

Produced on the occasion of the exhibition Anna Daučíková at Secession, Vienna, 16 September–6 November 2022. Anna Daučíková is a pioneer of feminist-queer art in Slovakia and the Czech Republic. Teaching for many years at art academies in Bratislava and Prague, and in recent years at the Salzburg Summer Academy, she counts to the most influential forward thinkers in the area of queer theory and practice.

This publication is released in conjunction with Peter Fischli’s exhibition 12 Arbeiten ohne Titel at Galerie Buchholz Cologne. It presents collages based on photographs taken throughout Zurich. For the past three years, the artist has documented peculiar “remnants of nocturnal revelry”: cars, park benches, and building façades sprayed with shaving foam—easily removable vandalistic interventions into the urban fabric, gestures of infinitesimal subversion. The foam figments are formless, lacking both definite shape and durable substance.

*Please note this publication is secondhand and has some traces of previous ownership.