This collection of the correspondence between artist Rosemary Mayer (1943–2014) and poet Bernadette Mayer (born 1945) occurs between the years of 1976 and 1980, a period of rich creativity in New York’s artistic avant-garde, and one which includes the development of major bodies of work by the two women. Rosemary Mayer was creating sculptures, watercolours, books and “temporary monuments” from weather balloons and snow, while Bernadette Mayer was working on some of her best-known publications, including the book-length poem Midwinter Day and the poetry collection The Golden Book of Words. Spanning the worlds of Conceptual art, Postminimalism, feminism, the New York School, Language poetry and more, these letters elucidate the bonds of sisterhood through intimate exchanges about art, relationships and everyday life.

Produced on the occasion of David Lieske’s exhibition Dritte Ausstellung Fuer Photographische Arbeiten at Galerie Karin Günther, Hamburg, 3 March–6 May, 2022. In addition to documentation of the exhibition it contains a conversation between the artist and Nicholas Tammens. Designed by Atelier Maève.

Booklet of English translations produced on the occasion of Playbill Act II: Moniek Toebosch at Torpedo Theatre, Amsterdam June 24, 2022.

Directly engaging with the theatrical setting of Torpedo Theater, the forty-five short texts composing theater-maker, artist, educator and broadcaster Moniek Toebosch’s 1994 work Kop op Kop [Head to Head] were performed as a one-person play by television and radio presenter Adeline van Lier. First exhibited as part of the Stedelijk Museum’s 1994 exhibition Couplet 3, the work—for which Toebosch wrote monologues and poems to accompany a selection of portraits held in the Stedelijk Museum’s collection—is one of many pieces produced by Toesbosch that interweave text with performance and/or its implications.

Designed by Maud Vervenne.

Programme produced on the occasion of Playbill Act II: Moniek Toebosch at Torpedo Theatre, Amsterdam June 24, 2022.

Directly engaging with the theatrical setting of Torpedo Theater, the forty-five short texts composing theater-maker, artist, educator and broadcaster Moniek Toebosch’s 1994 work Kop op Kop [Head to Head] were performed as a one-person play by television and radio presenter Adeline van Lier. First exhibited as part of the Stedelijk Museum’s 1994 exhibition Couplet 3, the work—for which Toebosch wrote monologues and poems to accompany a selection of portraits held in the Stedelijk Museum’s collection—is one of many pieces produced by Toesbosch that interweave text with performance and/or its implications.

Designed by Maud Vervenne.

Edition of 80 copies signed and numbered by the artist, plus 8 artist’s proofs.

道具 / Tool consists of a set of four printed images of forks (two made of silver, two of plastic). Dramatically enlarged and slightly deformed, the utensils stand against a black background, strongly affirming their presence—until they are folded and put back in their custom-made box.

As in some of her previous works, Batia Suter is dealing here with typology and objecthood. These four images—which the artist photographed from her own collection of absurd cutlery—look like samples from a kitchenware catalogue focusing as much on the common features of forks as on their potential deformities and eccentricities. Recalling Karl Blossfeldt’s close-up photographs of plants, they highlight the specificity and variety of forms hidden in ordinary things, as well as the strange, almost threatening nature of these “predatory” tools.

Unbidden Tongues #7: Continuity Girl unpacks the ‘forensic feminist methodology’ developed by writer, curator and administrator Naomi Pearce. Informed by research conducted in various personal archives of women administrators of artist studio spaces in London from the 1970s until now, the components of Pearce’s writing span mortuary field notes, interview transcripts, intimate first-person accounts and an auto-fictive mystery novella. These various evidentiary approaches blend to form an unconventional casebook that puts forward the complicating factors underpinning the process of writing history in the first place. In this particular title, the biographical lens focuses on Shirley Read—a photographer, writer, teacher, administrator and oral historian, whose work has been largely overlooked, until now.