Dedobbeleer is known for his sculptures and installations in which everyday objects (such as lamp, key holder, door knob, or plant pot) are modified, assembled, and recontextualized with a distinctive tongue-in-cheek—and at times even burlesque—spirit. Adorned with absurd (randomly chosen) titles, his works can be seen as joyful collisions of language and matter. Yet, this approach is not merely an act of formal entertainment. Nourished by an in-depth knowledge of art history and (seemingly) inexhaustible technical resources, the artist’s work establishes an ongoing dialogue with a broader tradition of sculpture, including its relation to architecture, industrial design, DIY culture, images, and book making.

Puglia. Tra albe e tramonti offers an account of Luigi Ghirri’s relationship with Puglia — a distinctive region, which was pivotal in establishing Ghirri’s career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia’s whitewashed streets, luminescent nights, doorways and arches, potted cacti, funfairs, and beaches, as well as a group of artists, critics, and curators who would become his close friends and collaborators. Over the following decade, Ghirri returned to the area almost every year, photographing, exhibiting, and deepening his understanding of its subtle terrain.

Tabea Blumenschein (1952–2020), Hilka Nordhausen(1949–1993), and Rabe perplexum (1956–1996) were eccentric artists of the eighties – they deviated from norms and operated outside of the centre in subcultural milieus. They worked in friendly constellations in the cities of Berlin, Hamburg, and Munich. Blumenschein, Nordhausen, and perplexum represented images of gender and identity that weren’t recognized at the time and lived their sexual orientations in a non-conformist manner.

Their lives and works are activated here by contemporary artists Ergül Cengiz (3 Hamburger Frauen), Philipp Gufler, and Angela Stiegler in a series of images and texts.

Produced on the occasion of the exhibition Patricia L. Boyd: Ceiling Analysis at Secession Vienna, 18 November, 2022 – 15 February, 2023.

Borrowing its format from fabric sample books, Ceiling Blues contains photographed fragments of frottages, silkscreen prints, and casts—tests, made in preparation for her exhibition, reproduced in 1:1 scale. “The samples here are not single samples of what can exist in quantity, as with samples from a roll of fabric that has a pattern that repeats. They are single samples from what is singular. They are excerpts of draft versions of a potential work that remains unfound.”—Patricia L. Boyd

With her “notebook of dreams” Dineo Seshee Bopape transports you into the world of African scents. The book has been left mostly unprinted, but each right-hand page is coated with a scented print varnish manufactured using a traditional hydro-distillation technique out of the material of earthenware clay vessels to simulate the fragrance of parched soil and withered plants after a rainstorm. Reinforcing this sense perception associated with powerful emotions and memories, a QR code opens an audio file recorded by Bopape that enhances the experience of rain with an acoustic dimension.

Theatre on the streets, public behaviour, being on display, working in the public, pretending, putting on an act, deception, public performing, street acts, standing out, seeking attention, entertainment, dress-up, appearance, disappearance, taking matters into one’s own hands. Observed, imagined and designed by LP.

Series edited by Aubrie Savage. Printed on a risograph at the Estonian Academy of Arts. Bound by Librix Print.