Projektion Auf Die Krise (Projection on the Crisis) takes a kaleidoscopic and retrospective look at the early days of the AIDS crisis in Germany during the 1980s—a time in which Munich’s repressive policies against gay people reached its peak: the arrival of the pandemic in Germany and the Bavarian response to it, consisting of a catalogue of measures which envisioned forced testing and separation, instigated by Peter Gauweiler who was Bavarian Secretary of State at the time.

Historic documents from the Forum Queeres Archiv München, assembled by Philipp Gufler, are arranged in chronological order and augmented by conversations with Guido Vael and Dr.med. Hans Jäger alongside contemporary works of fellow artists including Maximiliane Baumgartner, Stephan Janitzky, Gürsoy Doğtaş amongst others. The revised second edition also contains essays by Albert Knoll and Hendrik Folkerts, as well as, for the first time, an English translation of the German original texts.

This catalogue documents the Marie Laurencin exhibition organized by Jelena Kristic at Galerie Buchholz New York in Spring 2020. Alongside numerous illustrations of the exhibited works, the book features texts by Hirohisa Takano-Yoshizawa, director of the Musée Marie Laurencin, Tokyo, and the curator Jelena Kristic. The book is designed by Mathias Poledna.

Colouring book produced on the occasion of Kaunaus Art Book Fair, 2021. With contributions from Vytenio Buroko, Dainiaus Liškevičiaus, Aurelijos Maknytės, Beatričės Mockevičiūtės, Roberto Narkaus, Eglės Ridikaitės, Nerijus Rimkus, Ievos Rojūtės, Aurelijos Slapšytės and Anastasios Sosunovos.

Compiled by Justina Zubaitė-Bundzė. Designed by Nerijus Rimkus.

Published on the occasion of the Michael Snow retrospective, held at Anthology Film Archives, New York, 3 December–14 December, 2021. Including the full series texts, a filmography, a republished piece by P. Adams Sitney from 1976, and Raymond Foye’s 2021 interview with Snow.

A chapbook by Tiffany Sia (b. Hong Kong) and Yuri Pattison (b. Dublin) on time-telling and hegemony. Featuring writing by Sia and images selected by Pattison, Weird Times is a brief history on the development of time-keeping technologies. The clock is disassembled as a political tool, a metronome of coercion and an accelerant of war power. Out of these mechanisms, resistant counter-tempos emerge.

A two-volume book edited by Cady Noland and Rhea Anastas, THE CLIP-ON METHOD contains writing by Cady Noland, sociological essays selected by the artist, and a considerable amount of exhibition photography from the 1980s to the present. Designed by Cady Noland. Typesetting, layout, and print production by Will Holder.