The main portion of this book is a reissue of the texts Annette Wehrmann compiled in her self-made publication in the 1990’s. The publication was produced in a small edition for which Wehrmann chose the format of an 18 x 21 cm spiral bound notebook with a plain, red-orange cover. Her booklet contained a total of 38 single-sided photocopied pages of text whose introductory title-page bears the heading LUFTSCHLANGEN-TEXTE 1+.

The name LUFTSCHLANGEN-TEXTE refers to the performative context for which the texts were originally conceived. In the 1990’s and 2000’s, Annette Wehrmann participated in a large number of projects with her performances where she read passages typed out on serpentine streamers, inching along the colorful winding strips she’d placed throughout the room.

Magali Reus’ new photographic series, Knaves documents an array of mushrooms in headshot-like close up. As though in an al fresco portrait studio, the fungi are posed against backdrops of colourful vintage t-shirts – synthetic intrusions into the natural landscape.

This artist book sets images from the series within the sepia-tinted pages of a 1990s telephone directory for Park Cities – an area of Dallas whose name acts as shorthand for the way in which urban design domesticates nature for ease of human use.

Novelist, Kathryn Scanlan’s text zooms in on a series of fleeting quotidian dramas, mobilising a cast of evocatively named characters that, like Reus’ fungal protagonists, bloom and then disappear.

Morning Sun was written for Simon Moretti’s Crocodile Cradle, a group exhibition held at Peer, London, from 20 February – 20 March, 2021.

Produced as part of the exhibition Lost Weekend at Yvon Lambert, Paris. For the duration of the exhibition that happened simultaneously in two spaces titled Lost Weekend, Daniel Gustav Cramer declared the natural light falling into the space of the exhibition as the work. This publication was produced for the space of Yvon Lambert. Edition of 50

Produced as part of the exhibition I. Curated by Konstantin Haubrok at haubrok foundation. For the duration of the exhibition I at haubrok foundation, Petersburger Platz, Daniel Gustav Cramer declared the natural light falling into the space of the exhibition as the work. Edition of 50

Produced as part of the exhibition Lost Weekend at Galerie Allen, Paris. For the duration of the exhibition that happened simultaneously in two spaces titled Lost Weekend, Daniel Gustav Cramer declared the natural light falling into the space of the exhibition as the work. Edition of 50