Morning Sun was written for Simon Moretti’s Crocodile Cradle, a group exhibition held at Peer, London, from 20 February – 20 March, 2021.
Morning Sun was written for Simon Moretti’s Crocodile Cradle, a group exhibition held at Peer, London, from 20 February – 20 March, 2021.
Produced as part of the exhibition Lost Weekend at Yvon Lambert, Paris. For the duration of the exhibition that happened simultaneously in two spaces titled Lost Weekend, Daniel Gustav Cramer declared the natural light falling into the space of the exhibition as the work. This publication was produced for the space of Yvon Lambert. Edition of 50
Produced as part of the exhibition I. Curated by Konstantin Haubrok at haubrok foundation. For the duration of the exhibition I at haubrok foundation, Petersburger Platz, Daniel Gustav Cramer declared the natural light falling into the space of the exhibition as the work. Edition of 50
Produced as part of the exhibition Lost Weekend at Galerie Allen, Paris. For the duration of the exhibition that happened simultaneously in two spaces titled Lost Weekend, Daniel Gustav Cramer declared the natural light falling into the space of the exhibition as the work. Edition of 50
Barbara Bloom and Ben Lerner share a fascination with intricate dramas of framing and reframing: what happens to an image or a phrase when it is re-encountered, recontextualized, recombined — when a particular frame of reference is established or collapses? How is meaning accrued or eroded through repetition, across pages or generations? How are images or sentences enlisted in — or suddenly freed from — the construction of our personal and collective mythologies?
In 2002, Lana Kaiser became well known during an appearance on the first season of the German version of the Idol television franchise. Born in 1985, she went by her birth name Daniel Küblböck on the show and at only 17 years old she polarized the audience with her androgynous appearance and open bisexuality. On September 9th 2018, Lana disappeared from a cruise ship on her way to North America. Most media outlets and the majority of the public didn’t consider calling her by her chosen name, Lana Kaiser. Philipp Gufler’s zine and his video installation of the same title is a personal portrait of the singer and entertainer.