Includes: Ode to Routine; Burn Money, Burn; Subjectivity in the Shadows; Jump Out of Your Skin; An Amount Eats a Spot; The Confines of White Freedom; The Embarrassing Quarry.

The first English-language compilation of essays by Hans-Christian Dany, author of several books in German, and many contributions to international art-journals. Ode to Routine brings together seven recent essays, wandering off the streets into demonstrations, exhibitions or gambling parlours.

Including contributions from Rosa Aiello, Mathis Altman, Tenzing Barshee, Gerry Bibby, The Parliament of Bodies, John Boskovich, Mercedes Bunz, Elijah Burgher, David Bussel, Gu Cheng, Mihaela Chiriac, Jay Chung, Eric D. Clark, Hans-Christian Dany, Bei Dao, Simon Denny, Nikola Dietrich, Francesca Drechsler, Martin Ebner, Melvin Edwards, Haytham El-Wardany, Stefanie Fezer, Carter Frasier, María Galindo, Julian Göthe, Michèle Graf, Selina Grüter, Cornelia Herfurtner, Daniel Herleth, Karl Holmqvist, Stephan Janitzky, Samuel Jeffery, Julia Jung, Mang Ke, Yuki Kimura, Valérie Knoll, Jakob Kolding, Lars Bang Larsen, Elisa R. Linn, Sebstian Lütgert, Ariane Müller, Robert M. Ochshorn, Henrik Olesen, Vera Palme, Paul B. Preciado, Elizabeth Ravn, Ulla Rossek, Huang Rui, Mark von Schlegell, Max Schmidtlein, Nora Schultz, Nong Shoahua, Jack Smith, Dan Solbach, Vera Tollmann, Amelie von Wulffen, Mark van Yetter, Florian Zeyfang.

Designed by Dan Solbach & Starship.

Produced on the occasion of Karl Holmqvist’s exhibitions at the Fridericianum, Kassel and gta exhibition/ETH Zurich. Edited by Moritz Wesseler, Fredi Fischli and Niels Olsen.

The publication includes all the writing works created over the past thirty years by the artist and author, who was born in 1964 in Sweden and now lives in Berlin. Designed by Dan Solbach.

After a break-up and break-down, Daniel’s best friend, Zeno, asked him to travel on the weekends to London and visit the clubs playing Drum’n’Bass. This publication is dedicated to Zeno, with a DJ-set of records from Daniel’s collection made for him.

The book is the first monograph dedicated to Barbara Kozłowska (1940–2008), a Wrocław artist, painter, and precursor of performance art in Poland. The study contains a detailed timeline of Kozłowska’s life and work, prepared by Marika Kuźmicz and Zbigniew Makarewicz, essays by Marika Kuźmicz, Piotr Lisowski, Karolina Majewska-Güde and Wiktoria Szczupacka, and a selection of texts by Kozłowska. The publication discusses and problematizes the artist’s work, placing it in the context of the Wrocław avant-garde of the 1960s and 1970s and in the context of the phenomenon of global conceptualism.

Produced on the occasion of the exhibition Steven Parrino: Nihilism Is Love at the Kunstmuseum Liechtenstein, 21 February – 16 August, 2020. Predominantly a painter, in his oeuvre Parrino developed a unique visual idiom that, on the one hand, draws on various subcultural movements and, on the other, displays clear references to the history of visual art of the twentieth century and beyond. Parrino’s work is defined by an unconditional will to be free that stems from American biker culture and is also influenced by punk rock existentialism.

With texts by Konrad Bitterli, Catherine Dossin, Fabian Flückiger, Pierre Huber, Friedemann Malsch, Matthew McCaslin, Olivier Mosset, Bob Nickas, Amy O’Neill.

*Please note this publication is secondhand and has some traces of previous ownership.