Józef Robakowski, a key figure of the 1960s and 1970s neo-avant-garde rebellion, is a master of structural cinema and a pioneer of Polish video art. In his practice he has tested viewers’ perceptual habits, developed ideas about mechanical recordings beyond any aesthetic convention, and criticized methods of visual persuasion in films, highlighting in particular the pompousness of political spectacles. A radical experimentalist and media analyst, Robakowski is known for his unique approach, “his own cinema,” in which autobiography replaces dubious history, and in which the artist proposes his own scenario for perceiving the reality of life under communism.

Produced on the occasion of the exhibition Enrico Baj: Play as Protest at the Cobra Museum voor Moderne Kunst Amstelveen, 4 February–14 May, 2017. With contributions from Luca Bochicchio, Maurizio Cattelan, Carrie Pilto, Patricia Garvin and Hilde de Bruijn.

*Please note this publication is secondhand and has some traces of previous ownership.

Simryn Gill has developed a distinctive oeuvre that encompasses an array of media and processes, including drawing, installation and photography.

The series of relief prints Pressing In, 2016 was developed with Melbourne printmaker Trent Walter and are impressions taken off the surfaces of machine-shaped and hand-wrought timbers washed onto the shore in the vicinity of the artist’s studio in Malaysia. Various paper types are used, from a catalogue of butterflies, the locations of stars, the moral development of children, industrial design practice, and wage rolls and ledgers.

Signed, dated, numbered, edition of 2 + 1 ap.

Margaret Honda’s films grow out of a sculptural practice that privileges a material relationship to the medium above any narrative or representational concerns. Honda aims to reconsider the standards of film production protocols, often rearranging the order in which things are done or utilising only certain aspects of the production chain.

Öyvind Fahlström (1928–1976) was unquestionably one of the twentieth centuryʼs most innovative and multi-dimensional artists. His incentive was to investigate economical, political and social issues and the production of meaning.

This three-volume publication (in slipcase) is published on the occasion of the exhibition, Manipulate the World: Connecting Öyvind Fahlström, at Moderna Museet, Stockholm, 21 October, 2017–21 January, 2018.

The eighth instalment in Kunstverein München’s ‘Companion’ series, this “Verkaufskatalog” contains images, prices, material descriptions, and gallery designations for each of the works by artists Jos de Gruyter and Harald Thys included in the exhibition 30 Jahre Kunst. The diverse spectrum of the duo’s collaborative practice—drawings, paintings, sculptures, photographs, kinetic objects, and videos—is represented over the book’s 192 pages, all printed in black and white. In addition, a number of lost, destroyed, or forgotten works are featured, as well as new works that were specially commissioned for the exhibition. Designed by Julie Peeters and Harald Thys.