Produced on the occasion of Manfred Pernice’s solo exhibition at Lulu, Mexico City, this monographic catalogue focuses on the artist’s ongoing Kassetten (cassettes) series, initially begun in 2012. Spanning back to 1996, the book features abundant documentation of the various manifestations of the works, visual references, and other recent sculptures as well as texts by Lulu co-founder Chris Sharp.

Essay #1 in the series by S*I*G Verlag. Designed in collaboration with Sara De Bondt. Edited by Megan Francis Sullivan.

Rereading Appropriation reconsiders the artistic strategy of appropriation through later elaborated theories of affect, to explore how an understanding of ‘reciprocal investment’ reconfigures appropriation as an act that is based in connecting, acknowledging and being porous to material. Rereading Appropriation compiles texts read in the sister reading groups of If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution during its Edition V – Appropriation and Dedication (2013–2014).

Published on the occasion of Daniel Gustav Cramer’s exhibition Coasts, as part of Art Basel Parlours, 2016. Curated by Samuel Leuenberger.

Coasts, a sound installation placed in the first-floor rooms of a townhouse currently undergoing renovation, is Cramer’s first presentation of his archive of recordings taken in various coastal regions spanning the continents from Darwin, Australia to Ericeira, Portugal to Santa Monica, California. The architecture of the building creates a purely individual experience for the visitor who can listen to a singular recording or, by walking through the spaces, experience the overlap of a multitude of recordings.

Edited by Aileen Burns, Charlotte Day, Krist Gruijthuijsen, Johan Lundh. Texts by Max Andrews and Mariana Cánepa Luna (Latitudes), Helen Hughes, Ana Teixeira Pinto.

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition Limits to Growth. The exhibition and book bring together four of Mangan’s most significant works of the past seven years, alongside a new commission. The works in the show tackle narratives from his own geographical region—Asia Pacific, in which his home country of Australia plays a colonial role—and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan’s artworks and historical source material.

Copublished with the Institute of Modern Art, Brisbane; KW Institute for Contemporary Art, Berlin; and Monash University Museum of Art, Melbourne. Design by Žiga Testen.

Published on the occasion of the exhibition “Behind this machine anyone with a mind who cares can enter” by Jason Dodge at IAC-Institut d’art contemporain Villeurbanne. Texts by CAConrad and Valentina Desideri. Translation by Gilles Berton.