Artists on Hanne Darboven is the first instalment in a series culled from Dia Art Foundation’s ‘Artists on Artists’ lectures, focused on German conceptual artist Hanne Darboven. Established in 2001, the lecture series highlights the work of modern and contemporary artists from the perspective of their colleagues and peers. The inaugural ‘Artists on Artists’ title is published in conjunction with the opening of Darboven’s 1980–83 installation “Kulturgeschichte 1880–1983” (“Cultural History 1880–1983”) at Dia:Chelsea in New York City.

Kunstverein’s in house magazine is a cross between an academic journal and a darts club newsletter. Each issue ​’Ginger&Piss’​ (the name is a misquotation of Laurence Weiner) contains a limited amount of contributions that vary in length according to the subject matter at hand. The remit of ‘​Ginger&Piss​’ is simple; to provide a platform for candid critique but at the same time allow the author to stay hidden. The concept dictates that each contributor writes under a pseudonym; the use of pseudonyms can be considered an answer to the cowardice of the art world, albeit a somewhat hypocritical one.