Marina Xenofontos collects and catalogues the musings of an otherwise unknown inventor known as Christophoros Kyriakides. Born in Cyprus in 1949, he invented a board game called Six Continents Stars Compass that received little recognition and was printed in a very small number of editions. By chance encounter, Xenofontos stumbled across the game, and thus started a practice-based research into the inventor’s impressive archive—documented here in photocopies of complex scribbles, diagrams and drawings. Edition of 150.

Including contributions from Nadja Abt, Tenzing Barshee, Gerry Bibby, Mercedes Bunz, Lou Cantor, Nicolas Ceccaldi, Jay Chung, Hans-Christian Dany, Helmut Draxler, Francesca Drechsler, Martin Ebner, Haytham El-Wardany, Jana Euler, Julian Göthe, Toni Hildebrandt, Karl Holmqvist, Judith Hopf, Stephan Janitzky, Jakob Kolding, Maria Loboda, Nick Mauss, Robert McKenzie, Robert Meijer, Ariane Müller, Christopher Müller, Eileen Myles, Philip Reinartz, Gunter Reski, Mandla Reuter, Cameron Rowland, Julia Scher, Mark von Schlegell, Eva Seufert, Dan Solbach, Diamond Stingily, Wolfgang Tillmans, Vera Tollmann, Nicole Wermers, Amelie von Wulffen, Stephanie Wurster, Florian Zeyfang.

Designed by Dan Solbach & Starship.

Produced on the occasion of two exhibitions by Lucy McKenzie at Galerie Buchholz in Berlin and New York. The book takes the form of an inventory from an estate sale. It lists all items and describes them with faux provenances and sources.

Produced on the occasion of the eponymous touring exhibition at CCA Wattis Institute for Contemporary Arts, San Francisco; MoMA PS1, New York; and Raven Row, London, in 2015.

The conceptual duo Jos de Gruyter and Harald Thys continue in the project “Fine Arts” with their playful approach that draws on dystopian narratives. In this scenario the artists have became watercolorists; unfashionably harping back to the previous century’s pictorial tradition while basing their picture making on a range of quotidian and historical images culled from the Internet.

Designed by Boy Vereecken and Harald Thys.

Produced on the occasion of the exhibition Gustav Metzger, We Must Become Idealists or Die at Fundacion Jumex, Mexico City, 9 July–25 October, 2015.

This catalogue compiles in four sections archival material, photographs and texts in order to know in depth the contribution of Metzger to the critical thinking from the art for the social change. Among the key pieces within his artistic production are the manifestos that Metzger developed from 1959 to 1966, the Destruction in Art Symposium of 1966, and his public call Three Years Without Art 1977–1980.

*Please note this publication is secondhand and has some traces of previous ownership.

Long out of print, this seminal collection of essays and photographs are by artist, theorist and filmmaker, Allan Sekula. Originally published by the Nova Scotia College of Art and Design in 1984, in these essays and images Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress.

Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider’s position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent—women, labourers, minorities and the institutional structures that reinforce cultural biases.