Produced on the occasion of the biennal The Lulennial, organized by Fabiola Iza and Chris Sharp at Lulu, Mexico City, a 9-square meter independent space in Mexico City, whose economy, “in the sense of doing a lot with a little or sometimes nothing at all,” is one of the founding principles.

With Zarouhie Abdalian, Francis Alÿs, Paola de Anda, Carl Andre, Billy Apple, Darren Bader, Pierre Bal-Blanc, Robert Barry, Graciela Carnevale, Ulises Carrión, Lygia Clark, Isaac Contreras, Marie Cool Fabio Balducci, Tania Pérez Córdova, Eduardo Costa, Christopher D’Arcangelo, Marcel Duchamp, Koji Enokura, Lucio Fontana, Fernanda Gomes, Alberto Greco, Simon Gabriel Greenberg, Matt Hinkley, Hi Red Center, Tehching Hsieh, Douglas Huebler, Stephen Kaltenbach, Yves Klein, Joseph Kosuth, Jirí Kovanda, Sol LeWitt, Lee Lozano, Jenine Marsh, Cildo Meireles, Robert Morris, Roman Ondák, Yoko Ono, Gabriel Orozco, Chantal Peñalosa, Goran Petercol, Kirsten Pieroth, Wilfredo Prieto, Ana Roldán, Lotty Rosenfeld, Karin Sander, Ana Santos, Martín Soto Climent, Mladen Stilinovic, Mierle Laderman Ukeles, Isidoro Valcárcel Medina, Goran Trbuljak, Lawrence Weiner, B. Wurtz, Lin Yilin, La Monte Young.

Produced on the occasion of Ron Nagle: Five O’Clock Shadow at Matthew Marks Gallery, New York, September 11 – October 24, 2015. Nagle is known for his intimately scaled sculptures made of ceramic elements that are slip-cast, fired, and embellished with epoxy and other synthetic materials that allow him to expand his forms beyond the limits of clay. Some are glazed to a hot-rod finish, others textured like stucco and then airbrushed.

Produced on the occasion of B.Wurtz’s survey shows at BALTIC Centre for Contemporary Art, Gateshead and La Casa Encendida, Madrid in 2015.

For more than 40 years, B. Wurtz has collected common, domestic objects—carrier bags, aluminium roasting trays, buttons, shoelaces—and repurposed them into meticulously formal constructions that are balanced, fragile, yet sometimes discordant. His raw material is the stuff we constantly use and constantly overlook; things that connect to life in its most everyday sense.

Wurtz’s sculpture maintains an adherence to classical forms and a play with art history, all the while responding to three fundamental needs outlined early in the artist’s career: sleeping, eating and keeping warm.

Produced on the occasion of simultaneous exhibition Lili Dujourie: Folds in time at Mu.ZEE, Ostend, and at SMAK, Ghent, 6 June–4 October 2015.

The work by Flemish artist, Lili Dujourie unfolds out of the gap between painting and sculpture. After making debut with steel and colour objects in the late 1960s, Dujourie’s practice shifted into photography and video in the 1970s.

As well as exploring the blurring between art disciplines, in these new media she also raised gender-and identity-related issues prevalent at that time. The duality of movement and standstill inherent to film has fed the artist’s three-dimensional work from the 1980s to the present.

Established in 1994 in honour of the Cologne art collector Wolfgang Hahn, the Wolfgang Hahn Prize has since been awarded annually to an exceptional, internationally known artist who is nonetheless not yet well known in Germany. In 2015 the prize was awarded for the first time to two artists, R.H. Quaytman and Michael Krebber. This publication honours the prizewinners, both of whom approach the medium of painting from a decidedly conceptual standpoint. With a foreword by Mayen Beckmann, an introduction by Yilmaz Dziewior, a laudation by Daniel Birnbaum, and an afterword by Hanspeter Sauter.

Zeichnungen is an artist book with a compilation of drawings – or rather, ‘sketches of drawings’ by Marc Nagtzaam. He combined his material by printing it in different layers on a Riso duplicator at the Charles Nypels Lab in Maastricht. The result is a careful composition of previously unpublished drawings that became a new work in itself. Printed in a limited edition of 200 copies, numbered and signed.