Produced on the occasion of the exhibition Ronald Jones: 1987-1992, at the Grazer Kunstverein, 27 September–23 November 2014, curated by Jason Dodge and Krist Gruijthuijsen. With texts by Ronald Jones, Peter Halley and Angie Keefer.

Rosemarie Trockel is widely regarded as one of the most important and influential conceptual artists in Germany. Her sculptures, collages, ceramics, knitted works, drawings and photographs are noted for their subtle social critique and range of subversive, aesthetic strategies—including the reinterpretation of “feminine” techniques, the ironic shifting of cultural codes, a delight in paradox, and a refusal to conform to the commercial and institutional ideologies of the art system.

*Please note this publication is secondhand and has some traces of previous ownership.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Steve McQueen, at Espace Louis Vuitton, Tokyo, 26 April–17 August, 2014.

Steve McQueen is a filmmaker, screenwriter, and video artist. Though he is perhaps best known for his mainstream films such as 12 Years a Slave, 2013, Shame, 2011, and Hunger, 2008, McQueen is also a highly accomplished artist, notably winning the Turner Prize in 1999 and representing Britain during the 2009 Venice Biennale.

*Please note this publication is secondhand and has some traces of previous ownership.

Like a pictorial encyclopedia, Das Wunder des Lebens contains over four hundred drawings that show all that the modern world has to offer, from maps and city views to cars and airplanes. However, unlike conventional pictorial dictionaries, there is no symbolic system.

Copublished with Kunsthalle Wien and Kunsthalle Basel on the occasion of the eponymous exhibition at the former, 7 February–4 May, 2014, and Projekt 13 at the latter, 16 January–14 March, 2010.

Designed by Antoine Begon and Boy Vereecken.

Works 1965–Today stems from a retrospective held at the Grazer Kunstverein showcasing Josef Bauer’s experiments with language, colour, and their spatial contexts nearly forty years after his last exhibition in Graz. His practice combines sculpture, installation, painting, and performance to disturb our perception of words and colours as mere “carriers” of meaning. By removing their two-dimensional context, letters become objects that communicate directly with our bodies in an unfiltered and urgent language called “tactile poetry.”

Edited by Krist Gruijthuijsen. Designed by Marc Hollenstein.