Produced on the occasion of exhibitions at De Garage, Mechelen, Cultuurcentrum Strombeek & White-Out-Studio, Knokke-Heist, 15 April – 5 June, 2011. With texts by Yves Aupetitallot, Sven Beckstette, Luk Lambrecht.
Produced on the occasion of exhibitions at De Garage, Mechelen, Cultuurcentrum Strombeek & White-Out-Studio, Knokke-Heist, 15 April – 5 June, 2011. With texts by Yves Aupetitallot, Sven Beckstette, Luk Lambrecht.
Produced on the occasion of the exhibition Jessica Warboys: A l’etage at Jeu de Paume, 24 March–15 May, 2011, curated by Raimundas Malašauskas.
You can see more on the exhibition here.
Artist Oscar Tuazon’s pamphlet is the first in The Social Life of the Book series, Paraguay Press’s collection of commissioned texts dealing with books, and how they engage with the circulation of ideas and the agency of social situations. “I was raised making books” recalls Tuazon at the beginning of this essay, that addresses the very oft-announced death of the book at the same time as it envisions the conditions of its rebirth. This unflinching reflection on how publishing has changed, also develops as a speculation on the artist’s own approach to sculpture.
Designed by Will Holder.
Produced on the occasion of Manfred Pernice’s exhibition sculpturama at Secession, Vienna, 26 November, 2010–13 February, 2011. With texts from Verena Dengler, Klaus Gölz, Axel Jablonski, Bettina Klein, András Pálffy, Stephan Schmidt-Wulffen, Hemma Schmutz and Annette Südbeck.
Produced on the occasion of Richard Prince’s exhibition The Magic Castle 1968–1969 at Le Consortium, Dijon, in 2011, based on a series of photographs taken when he was student in France. With a text by Richard Prince.
American artist Richard Prince recycles found materials from American popular culture, most often images from advertisement and magazine photography which he re-photographs, silkscreens, overpaints, frames, enlarges, or arranges in collages, playing with their somehow empty meaning.
Produced on the occasion of Aleana Egan’s solo exhibition at The Drawing Room, London, 2011.
Drawing forms the starting point of Egan’s work, with a sketchbook providing a repository for the noting down of ideas and experimentation with forms that are developed into autonomous drawings, collages, sculptures and films.Ideas are triggered through observations made during everyday life, but also by memories of childhood experiences and works of literature.