Was Ist Los is a facsimile reproduction of a 2003 essay by Seth Price, bound within a one-of-a-kind spray-painted cover. Previously published as "Decor Holes," "Unique Source/All Natural Suicide Gang," "Akademische Graffiti," and "Depletion," it was first written to accompany Price's 2006 album Akademische Graffiti.

(Mis)reading Masquerades comprises a selection of theoretical texts drawn from different fields of knowledge that address questions such as transgression, gender identity and subversion, gesture, the carnivalesque, the construction of subjectivity, authorship, mimesis, and alterity. The publication features introductions to each text by the participants of our monthly reading group, newly commissioned essays by writers and curators from the field of contemporary art and contributions by artists from the Dutch Art Institute (Enschede) and Piet Zwart Institute (Rotterdam).

The works of Daniel Gustav Cramer are based on accurate observations of ‘invisible’ moments that only reveal themselves at a second glance. In his photographs, text works and books, he depicts structured systems as well as personal experiences; large scale objects are next to the smallest ones, nothing is obvious. The work opens up in reflection.

Thirty-Six presents thirty-six works by Daniel Gustav Cramer in the restricted space of a book. It is an exhibition of Cramer’s works in its own right, that exceeds mere documentation and makes for multi-faceted new associations and moods.

Thirty-Six was published as part of the exhibitions Eight Works at Dortmunder Kunstverein, Germany and Six Works at the Return, Dublin, Ireland. The publication is a continuation of the recent exhibition series.

Supported by Kunststiftung NRW. Edition 500.

Published on the occasion of Six Works at Return Gallery, Dublin.

A text that loops and merges into one continuous narration, describing a man walking on a forest path at night on his way home.

Solution 186–195: Dubai Democracy is the fifth book in the Solution series. Using Dubai as a sort of modernist blank slate for urban and social renewal, author Ingo Niermann confronts today’s most relevant cultural and technological developments with analytical elixirs that are as pertinent as they are unbelievable. Niermann’s Dubai will become as specialized as housing the global center for treating diabetes—called Sugar World—and as universal as offering non-confrontational public spaces where both a state of total advertising and compulsive kindness, or what he calls a “personal humaneness account,” co-exist.

Translation from the German by Gerrit Jackson. Design by ZAK Group.