Produced on the occasion of the exhibition Isa Genzken/Caroline Van Damme at the Museum Dhondt-Dhaenens in Deurle, 17 May–5 July, 1998. Curated by Luk Lambrecht. Designed by Studio Luc Derycke.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Parallelepipede & Trame Travail in situ by Daniel Buren at the Center for Contemporary Art, Kitakyushu, 1 – 19 December, 1997.

The visionary paintings of Martin Wong, one of the unsung geniuses of New York’s East Village art scene of the 1980s, are collected here and examined in depth for the first time. Entirely self-taught, Wong created intricate compositions that combine gritty social documents, cosmic witticisms, and highly charged symbolic languages-customised manual alphabets for the deaf, street graffiti, Nuyorican poetry, hand-lettered signs, meticulously rendered brick facades, rearrangements of Zodiac signs-sometimes within a single painting.

The urban landscape of Loisaida, the Hispanic section of the Lower East Side where Wong lived, is the source of his imagery. Whatever the theme-the survival of a neighbourhood besieged by drugs and crime, homoerotic fantasies of men in uniform, the multiplicity of meaning in language, the kitsch and ornamentation of Chinatown USA-Wong’s work is visually startling and movingly autobiographical.

Produced on the occasion of Performance into Politics by Yvonne Rainer at the Barbican Centre, London, 10 June–15 July, 1998.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Jason Rhoades: The Purple Penis and the Venus at Kunsthalle Nürnberg and the Van Abbemuseum, Eindhoven, 1998.

Jason Rhoades (1965–2006) is known for monumental, room-filling installations. These idiosyncratic sculptures incorporate a wide range of objects including products of mass culture combined with hand-made items and biographical references.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced on the occasion of Ernst Caramelle being awarded the Kunstpreis der Stadt Nordhorn 1998.