Etel Adnan’s novel “Paris, When It’s Naked amazes our retinas, ears, lips, fingertips, and noses with sensing, talking, and envisioning the city of Baudelaire and Delacroix, Mallarme and Picasso, Sartre and Djuna Barnes, Miller and Nin, Vietnamese and African refugees, revolutions and Bohemia. This tale of the Creative Now is told through the fine-tuned sensibility of Etel Adnan, the expatriate poet-painter who knows the French Capital as wholly as she does Beirut and San Francisco, her other homes. She is also the author of Sitt Marie-Rose, an underground novel of the Lebanese Civil War, and many books of poetry. Her new work is a philosophically charged lyric in prose. The elan vital of every word evokes the eternal present of this wise woman. A highly personal, life-enhancing masterpiece in a deathly age of impersonality. An indispensable book by an indispensable writer”—Morgan Gibson.

“Written against the background of war at the turn of this century, this millennium—the Gulf War, the Lebanese civil war and the military occupations of that country, the author’s country of origin—these letters, Of Cities & Women, are in their turn now letters to cities and women—that we, that is, women and men alike, might eventually, before it is too late, ‘find the right geography for our revelations.'”—Barbara Harlow

In 1993 the US-American artist Andrea Fraser realised the exhibition project Eine Gesellschaft des Geschmacks with and at the Kunstverein München. In the run-up to it she interviewed Helmut Draxler and board members of the Kunstverein on questions of self-conception and taste. She arranged the answers into an audio collage that could be heard in the Kunstverein’s exhibition rooms, the written version was printed in a publication. Artworks borrowed from the board members that were partly mentioned in the audio installation were also part of the exhibition and publication.

Designed by Andrea Fraser and Anahita Krzyzanowski.

Catalogue of an exhibition held at Künstlerhaus Bethanien, Berlin, 27 November–13 December, 1993 by Australian artists Janet Burchill and Jennifer McCamley. Catalogue essay in English and German by Rex Butler.

A single poster contribution from the original publication On Taking a Normal Situation and Retranslating it Into Overlapping and Multiple Readings of Conditions Past and present.

An exhibition devised by Yves Aupetitallot, Iwona Blazwick and Carolyn Christov-Bakargiev within the framework of ANTWERP 93. Its title was inspired by Gordon Matta Clark who made one of his final works in the city, and which in turn led to the foundation of M HKA. In some ways the subject of this exhibition was ‘the exhibition’. What it proposed, however, was a new relation between structure, location, context, artist and audience.

David Robilliard (b.1952, Guernsey) moved to London in the late 1970s where he established himself as a self-taught painter and poet. He began working for Gilbert & George after appearing as an ‘angry young man’ in their film The World of Gilbert and George (1981). They actively promoted him as their favourite artist and in 1984 published ‘Inevitable’, his first volume of poetry. Three years later, in 1987, Robilliard was diagnosed as HIV positive and in 1988 he died at the age of 36. In his short life he produced a modest but important body of work now held in significant public collections including the Museum of Modern Art, New York; Stedelijk Museum, Amsterdam; Tate Modern, London and the Van Abbemuseum, Eindhoven. His work is direct both in content and form, comical and yet ultimately deeply romantic.—Rob Tufnell, David Robilliard Disorganised Writings and Sketches