Portfolio of 14 drawings made at the Leighton Artists Colony, Parish of St Mary’s, Banff, during Easter 1988. They were created to be exhibited in the church of Lesme in Saône-et-Loire at the request of the association Pour l’Art Contemporain, Bourbon-Lancy, from July 1988 to July 1989.

*Please note this publication is secondhand and has some traces of previous ownership. (Condition: as new)

Produced on the occasion of the exhibition at Vancouver Art Gallery, Vancouver, 5 February–3 April, 1988; 49th Parallel Center for Contemporary Canadian Art, New York, 10 May–15 June, 1988; Mackenzie Art Gallery, Regina, Saskatchewan, 28 June–10 August, 1988; The Power Plant, Toronto, Ontario, 16 September–6 November, 1988; Mendel Art Gallery, Saskatoon, Saskatchewan, 6 January–26 February, 1989; and Winnipeg Art Gallery, Winnipeg, Manitoba, 12 March–21 May, 1989. With texts by Christos Dikeakos and Jeff Wall.

*Please note this publication is secondhand and has some traces of previous ownership.

Applying strategies of mass production to handmade objects, McCollum’s labor-intensive practice questions the intrinsic value of the unique work of art. McCollum’s installations—fields of vast numbers of small-scale works, systematically arranged, are the product of many tiny gestures, built up over time. With a text by Andrea Fraser.

You can read more on the Individual Works project here and see a video about it here.

*Please note this publication is secondhand and has some traces of previous ownership.

*Please note this publication is secondhand and has some traces of previous ownership.

Promotional card for John Armleder’s edition 346, produced by John Gibson Gallery, 1987.

Co-founder of the Ecart Group (1969) and closely affiliated with the Fluxus movement, visual artist John Armleder has since the end of the 1960’s created a polymorphic body of work which encompasses performance, drawings, sculptures and paintings.

*Please note this publication is secondhand and has some traces of previous ownership.

Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterised by a formal rigour combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications. A leading figure of the Belgian avant-garde, Mees left behind an outstanding body of work that transgresses geometric abstraction, Minimalism, Conceptualism, and applied art.