Produced on the occasion of the exhibition Jannis Kounellis at the Institute of Contemporary Arts, Nagoya, 6 June–31 July, 1987.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Jannis Kounellis at the Institute of Contemporary Arts, Nagoya, 6 June–31 July, 1987. With an essay by Germano Celant.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Balkon at the Kulturreferats der Landeshauptstadt München, 15 May–16 June, 1987, curated by Michaela Melián and featuring the artists; Johanna Heß, Ika Huber, Johanna Kandl, Jutta Koether, Michaela Melián, Bettina Semmer, Rosemarie Trockel. With an introduction by Gislind Nabakowski.

Produced on the occasion of Robert MacPherson’s exhibitions The rectangle is a container & I see a can of paint as a painting unpainted by at Artspace Sydney, 1987, curated by Ingrid Periz.

Phillip King (born 1 May 1934) is a British sculptor, one of Anthony Caro’s best known students, their education followed similar trajectories and they both worked as assistants to Henry Moore. Following the “New Generation” show at the Whitechapel Gallery, both Caro and King were included in the seminal 1966 exhibit, “Primary Structures” at the Jewish Museum in New York.

*Please note this publication is secondhand and has some traces of previous ownership

Produced on the occasion of the 30th anniversary of the Leo Castelli Gallery on February 1, 1987. Revolving around the writings of Rainer Maria Rilke’s “Das Studenbuch”. Leo Castelli had a German-language edition of Maria Rilke’s book with him when he emigrated from Fascist Italy in the 1930s.