Marie Laurencin (31 October 1883 – 8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d’Or.

*Please note this publication is secondhand and has some traces of previous ownership.

“This collection of texts, by authors from Nicaragua and the U.S., is the first critical anthology on the media and culture in Nicaragua, where concern for the “freedom of the press” has become a veritable fetish for the international news media. In analyzing numerous aspects of the subiect – journalism, the press, the radio, film, video, mural expression, literacy and social movements – in their social-historical dimension, the authors attempt to assess the cultural achievements, problems and future of Nicaragua in its struggle to tevelop a practice of democratic participation despite he siege conditions of U.S. imposed warfare: economic and psychological as well as military.” Published on Seth Sieglaub’s imprint International General/IMMRC.

Issues no. 4–5 in a series of bibliographies which attempted “to compile a global, multi-lingual, annotated bibliography of Marxist studies on all aspects of communication.”—from the introduction by Seth Siegelaub, director of the International Mass Media Research Center

*Please note this publication is secondhand and has some traces of previous ownership.

Printed in an edition of 50 numbered and signed copies.

Produced on the occasion of the exhibition OEuvres récentes at Galerie Eric Franck, Geneva, 13 November, 1986–3 January, 1987.

*Please note this publication is secondhand and has some traces of previous ownership. (Condition: as new)

Invitation card produced on the occasion of Gerwald Rockenschaub’s exhibition at Galerie nächst St. Stephan, Vienna, 3 May–22 June, 1986.

Gerwald Rockenschaub works within a formal repertoire that he began developing in the 1980s when he was a central figure in the emerging “neo-geo” (neo-geometric conceptualism) movement. Uniquely influenced by his work as a techno DJ and composer of electronic music, Rockenschaub absorbs the everyday imagery and forms of logos, traffic signs, and pictograms to produce sculptures, wall installations, and animations that render an aura of hyperrealist perfection.