Produced on the occasion of the exhibition Six Works at Le Consortium, Dijon, 25 June–28 July, 1984.

With texts by Hubert Besacier, Haendel Teicher.

Produced on the occasion of the exhibition Braco Dimitrijević, Culturescapes 1976–1984 at Museum Ludwig, Köln, 30 March–6 May, 1984, and Kunsthalle Bern, 15 June–15 August, 1984.

Braco Dimitrijević gained an international reputation in the seventies with his Casual passer-by series, in which gigantic photo portraits of anonymous people were displayed on prominent facades and billboards in European and American cities. The artist also mimicked other ways of glorifying important persons by building monuments to passers-by and installing memorial plaques in honour of anonymous citizens.

In the mid-seventies he started incorporating in his installations original paintings borrowed from museum collections. The Triptychos Post Historicus, realized in numerous museums around the world, unite in a harmonious synthesis high art, everyday objects, and fruit. The artist’s statement “Louvre is my studio, street is my museum” expresses both the dialectical and transgressive nature of his oeuvre.

(Autumn / Winter) Including the work of Ladislas Klima, Martin Munkasci, Marc Camille Chaimowicz, Carlo Emilio Gadda, Carlo Scarpa, Roberto Bazlen, Frantisek Drtikol, Joseph Roth, Herbert List, Alexander Lernet-Holenia, Pierre Klossowski, Robert Walser, Josef Südek and Robert Musil.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Raoul Hausmann: Fotografien at the Städtische Galerie Erlangen, 7 May 7–1 June, 1984.

Raoul Hausmann was an Austrian artist and writer. One of the key figures in Berlin Dada, his experimental photographic collages, sound poetry, and institutional critiques had a profound influence on the European Avant-Garde in the aftermath of World War I.

*Please note this publication is secondhand and has some traces of previous ownership.

Ian Wilson has been exploring the aesthetic potential of spoken language since the late 1960s. His ongoing body of work—beginning with “oral communication” and eventually including his signature Discussions—began in 1968 with the spoken word “time”.

Over the course of the 1970s, his discussions took on a more formal character, and his interests shifted towards ‘The Known and Unknown’, based on Plato’s ‘The Parmenides’. In contrast to a ‘performance’, during a discussion the audience can actively take part in realising the concept of ‘oral communication’. Wilson does not want the discussion to be recorded either on film or audio. Wilson summarises the core of these discussions in a book series entitled ‘section’.

Produced on the occasion of Robert Rehfedlt’s exhibition, Zeichnungen, Collagen, Assemblagen at Galerie im Turm, Berlin, 5–28 October, 1984

Robert Rehfeldt (born Stargard 5 January 1931–died Berlin 28 September 1993) was a German Graphic artist. He is associated, in particular, with the Actionist and Mail art movements.