Marie Laurencin (31 October 1883–8 June 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d’Or.

*Please note this publication is secondhand and has some traces of previous ownership.

“This collection of Marx’s and Engels’ basic texts on the means of communication, information and transportation is the first volume of its kind ever published. Edited, with an essential introduction, by Yves de la Haye, its purpose is to contribute to the development of a materialist analysis of the media, and to combat dominant bourgeois communication theory.” Published on Seth Sieglaub’s imprint International General/IMMRC.

*Please note this publication is secondhand and has some traces of previous ownership.

Issues no. 6–7 in a series of bibliographies which attempted “to compile a global, multi-lingual, annotated bibliography of Marxist studies on all aspects of communication.”—from the introduction by Seth Siegelaub, director of the International Mass Media Research Center

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the performance of Partial Eclipse at de Appel Amsterdam, 25 April–10 May, 1980.

*Please note this publication is secondhand and has some traces of previous ownership.

Antonin Artaud, was a French writer, poet, dramatist, visual artist, essayist, actor and theatre director. Considered among the most influential figures in the evolution of modern drama theory, most critics believe that Artaud’s most noted contribution to drama theory is his “theater of cruelty,” an intense theatrical experience that combined elaborate props, magic tricks, special lighting, primitive gestures and articulations, along with themes of torture and murder to shock the audience into confronting the base elements of life.

*Please note this publication is secondhand and has some traces of previous ownership.

*Please note this publication is secondhand and has some traces of previous ownership.