Produced on the occasion of the travelling exhibition Michael Snow: Works 1969-1978, Films 1964–1976 at Kunstmuseum Luzern, 4 March–22 April 1979; Rheinisches Landesmuseum Bonn, 2 August–9 September 1979; and Städtische Galerie im Lenbachhaus München, 16 October – 25 November 1979.

Michael Snow (1928–2023) was one of the world’s leading experimental filmmakers, having inspired the Structural Film movement with his groundbreaking film Wavelength, 1967. Snow’s extensive and multidisciplinary oeuvre includes painting, sculpture, video, film, sound, photography, holography, drawing, writing, and music.

Second edition. A booklet documenting K.Schippers’ visit to Man Ray in Paris.

Produced on the occasion of Jockel Heenes’ exhibition Blei, Beobachter-Environment, Stelen, Objekte, Landschaft, Natur, Geschlagen, Gezeichnet, Fotosequenz, 10 November, 1979–6 January, 1980 at the Neue Galerie-Sammlung Ludwig, Aachen.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of the exhibition Ellsworth Kelly Paintings and Sculptures 1963–1979 at the Stedelijk Museum, Amsterdam, 13 December, 1979–3 February 1980.

SM Cat. No 663.

Designed by Wim Crouwel and Artlette Brouwers (Total Design).

*Please note this publication is secondhand and has some traces of previous ownership.

Gerard Stigter (6 November 1936–12 August 2021), known by the pseudonym K. Schippers, was a Dutch poet, prose writer and art critic. Credited with having introduced the readymade as a poetic form, his work is dedicated to looking at everyday objects and events in a new way.

In the transition from Symbolism to international modernism that occurred between Ferdinand Hodler and Mondrian, no other Swiss artist succeeded in creating an oeuvre as confident and idiosyncratic as that of Otto Meyer-Amden. Born in 1885 in Bern, Meyer initially trained as a lithographer before attending the School of Arts and Crafts in Zürich. Following a semester at the Academy of Arts in Munich, he joined the Royal Academy of Fine Arts in Stuttgart in 1907, where he studied for a short time under Adolf Hölzel, whose interest in abstract formal principles set him apart from the prevailing naturalism of the time. It was there that he encountered Willi Baumeister and Oskar Schlemmer, with whom he would go on to maintain a close exchange until his death, exerting a strong influence on the pair.

*Please note this publication is secondhand and has some traces of previous ownership.