Produced on the occasion of the exhibition André Cadere: Peinture sans fin at the Staatliche Kunsthalle Baden-Baden, 27 October, 2007–20 January, 2008.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

Designed by Yvonne Quirmbach.

*Please note this publication is secondhand and has some traces of previous ownership.

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Edited by Heike Kerstin Ander, and Dirk Snauwaert. Texts by André Cadere, and Bernard Marcelis; with an introduction by Dirk Snauwaert, and Peter Weibel. Accompanying second volume of Geschichte Einer Arbeit.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Edited by Heike Kerstin Ander, and Dirk Snauwaert.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Comprehensive survey of early Japanese abstract painting (and photography). Including Koshiro Onchi, Iwata Nakayama, Saburo Hasegawa, Kiyoshi Koishi, Ryuichi Amano, Ei-Q and many more.

A provocative, moving novella about what it means to be a creative person under today’s digital regime. In the course of a gripping, headlong narrative, Price’s unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price’s hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now.

*Please note this publication is secondhand and has some traces of previous ownership.