Edited by Clementine Edwards, Kris Dittel.

Spanning fiction and theory, the collection of texts expand the idea of an artist’s book by bringing words into conversation with an aesthetic proposition. Clementine Edwards’ artwork is the visual weft to the book’s written net. From colonial conquest to climate collapse, The Material Kinship Reader tells toxic and tender stories of interdependence among all things sentient and insentient.

Including contributions by Sara Ahmed, Hana Pera Aoake, Roland Barthes, Joannie Baumgärtner, Heather Davis, Kris Dittel, Clementine Edwards, Ama Josephine B. Johnstone, Robin Wall Kimmerer, Ursula K. Le Guin, Sophie Lewis, Steven Millhauser, Jena Myung, Aileen Moreton-Robinson, Michelle Murphy, Ada M. Patterson, Kim TallBear and Michelle Tea.

Produced on the occasion of Fareed Armaly: Parts at Kunstverein München, 17 October–23 November, 1997. Edited by Fareed Armaly und Saskia Drechsel.

Interviews with Niels Clausnitzer, Helmut Draxler, Elizabeth Endriss, Zdenek Felix, Rainer Graefe, Martin Gretschmann, Bernd Hartwich, Eberhard Haug, Holger Hiller, Felix Knoth, Jürgen Koppers, Fred Maire, Susanne von Medvey, Michaela Melián, Thomas Meinecke, Pierre Peters-Arnolds, Moritz Reichelt, Dirk Snauwaert, Maria Thaler, Andi Toma, Arnold Walz, Jan St. Werner. Designed by Fareed Armaly.

Produced on the occasion of the solo exhibition Jochen Lempert at Portikus in Frankfurt. With a mix of new and older photos, Lempert composed a sequence showing different ways to look at pairs. With an essay from Portikus director Yasmil Raymond. Concept by Jochen Lempert in collaboration with Alexander Mayer. Designed by Roger Willems.

Photo: Laura Castro Caldas. Edition of 300.

“This work is installed when Ricardo Valentim gives a toast in the bar of The Ritz Four Season Hotel Lisbon. As conditions permit.”

“If you love contemporary art, particularly conceptual art, this promises to be an unforgettable experience unlike anything else you will find in Lisbon. We will be visiting five locations in the colourful neighbourhood of Graça, located in the heart of the city, where I currently live. This is also where the acclaimed French artist Daniel Buren presented his famous artwork Affichages Sauvages in 1980. Though it is considered an important work within the history of contemporary art produced in Portugal, it is virtually unknown among broad audiences. When Buren came to Lisbon forty years ago, he pasted posters bearing his signature stripes on the tiled walls of several Graça buildings. On this guided visit, we will see the sites where these no longer extant works were originally located, followed by a private viewing of one of the actual posters at my place near the breathtaking Miradouro da Graça. Refreshments will be served.”

You can see the Airbnb link here.