Fifteen Feet by Eight Feet, And There are Two of Us in Here is dedicated to the daily work of an editor. Along with three other professional portraits, this piece belongs to a group of works that were exhibited at the Lisson Gallery in London in 1980, but have never again been considered in their entirety. Eva Schmidt is the first to reunite these works, taking into account archival materials and the publication of detailed conversations between the artist and the parties involved: It’s a piece of “mental history” at the beginning of Margaret Thatcher’s term in office and the neoliberalization associated with it in Great Britain.

More information on the work can be found here.

Stephen Willats has made work examining the function and meaning of art in society since the 1960s. His work has involved interdisciplinary processes and theory from sociology, systems analysis, cybernetics, semiotics and philosophy. This manifests in wall installations, project works, films & computer simulations, drawings & diagrams, bookworks and texts.

Produced on the occasion of Stephen Willats’ exhibition, Surfing with the Attractor at South London Gallery, 1 June–15 July, 2012. Containing essays by John Kelsey, Tom Morton and Stephen Willats and a conversation between Stephen Willats and Margot Heller.

More information on the exhibition can be found here.

Stephen Willats has made work examining the function and meaning of art in society since the 1960s. His work has involved interdisciplinary processes and theory from sociology, systems analysis, cybernetics, semiotics and philosophy. This manifests in wall installations, project works, films & computer simulations, drawings & diagrams, bookworks and texts.

Produced on the occasion of the exhibition Wie die Welt ist und wie sie sein könnte. How the world is and how it could be at Museum für Gegenwartskunst, Siegen, 21 September, 2006–14 January, 2007.

Stephen Willats has made work examining the function and meaning of art in society since the 1960s. His work has involved interdisciplinary processes and theory from sociology, systems analysis, cybernetics, semiotics and philosophy. This manifests in wall installations, project works, films & computer simulations, drawings & diagrams, bookworks and texts.

This publication includes a conversation between the artist and Michael Stanley, and brings together a range of recent projects and documents the newly commissioned work Person to Person, People to People, the result of a 12 month engagement with the people of the Netherfield estate, Milton Keynes.

Kunstverein’s in-house magazine is a cross between an academic journal and a darts club newsletter. Each issue contains a limited amount of contributions that vary in length according to the subject matter at hand. The remit of ‘Ginger&Piss’​ is simple: to provide a platform for candid critique but at the same time allow the author to stay hidden. Therefore, each contributor writes under a pseudonym. This issue takes the topic of ‘audience’ as its starting point and seeks to serve two aims: on the one hand it provides unfabricated answers to questions about who Kunstverein’s audience really is (or is not, yet!) via an online survey developed by the editors, Reinier Klok and Isabelle Sully, and on the other it attempts to bring to the surface the many factors that can complicate statistical reasoning in the first place.

Launch token produced on the occasion of the launch of the Ginger&Piss #5: Audience.

Kunstverein’s in-house magazine is a cross between an academic journal and a darts club newsletter. Each issue contains a limited amount of contributions that vary in length according to the subject matter at hand. The remit of ‘Ginger&Piss’​ is simple: to provide a platform for candid critique but at the same time allow the author to stay hidden. Therefore, each contributor writes under a pseudonym.