Edited by Heike Kerstin Ander, and Dirk Snauwaert.

André Cadere belonged to a generation of European artists who contested the art object and institutional framework of the art world in which they operated. Best known for carrying his Barres de Bois Rond—Round Bars of Wood—wherever he went. His appearances at the most important private views of contemporary art across Europe became legendary. With his round bar of wood in hand he would intervene in a provocative way on other artists’ exhibitions in galleries and museums.

*Please note this publication is secondhand and has some traces of previous ownership.

Comprehensive survey of early Japanese abstract painting (and photography). Including Koshiro Onchi, Iwata Nakayama, Saburo Hasegawa, Kiyoshi Koishi, Ryuichi Amano, Ei-Q and many more.

A provocative, moving novella about what it means to be a creative person under today’s digital regime. In the course of a gripping, headlong narrative, Price’s unnamed protagonist moves in and out of contemporary non-spaces on a confounding and enigmatic quest, all the while meditating on art in the broadest sense: not simply painting and sculpture but also film, architecture, literature, and poetry. From boutique hotels and highway bridges to PC terminals and off-ramps; from Kanye West and Jeff Koons to George Bush and Patricia Highsmith; from the playground to the internet to the mirror, Price’s hybrid of fiction, essay, and memoir gets to the central questions not only of art, but of how we live now.

*Please note this publication is secondhand and has some traces of previous ownership.

(First Printing 2008). Produced on the occasion of Seth Price’s exhibition at Friedrich Petzel Gallery, New York, 9 February–8 March, 2008, How to Disappear in America alludes to 1960s countercultural handbooks providing instructions for dropping out of mainstream society. Price’s book, which consists exclusively of information found on the internet, includes advice for using current technology and focuses on the practical concerns of evading capture by law enforcement.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of two exhibitions by Lucy McKenzie at Galerie Buchholz in Berlin and New York. The book takes the form of an inventory from an estate sale. It lists all items and describes them with faux provenances and sources.

Produced on the occasion of the exhibition The Best Book About Pessimism I Ever Read, curated by Lucy Mckenzie at Kunstverein Braunschwieg, June 22–August 25, 2002. Including the work of John Byrne, Bonnie Camplin, Enrico David, Keith Farquhar, Alasdair Gray, Ronnie Heeps, Paulina Olowska, Mathilde Rosier, Lucy Skaer, Joanne Tatham, Tom O’Sullivan.

Designed by Yvonne Quirmbach.