Produced on the occasion of the exhibition Japanese Women Artists in Avant-Garde Movements, 1950–1975 at Tochigi Prefectural Museum of Fine Arts, 24 July–11 September, 2005. Including artists Atsuko Tanaka, Yayoi Kusama, Mieko Shiomi, Yoko Ono, Sawako Goda, Shigeko Kubota, Mitsuko Tabe, Miyori Hayashi, Yuri Nonaka, Takako Saito and many more.

*Please note this publication is secondhand and has some traces of previous ownership.

A brochure produced by Jean Claude Lefèvre on the occasion of Daniel Buren’s exhibition Points de vue at ARC/Musée d’ Art Moderne de la Ville de Paris, May 5 1983.

*Please note this publication is secondhand and has some traces of previous ownership.

The Kiyosato Museum of Contemporary Art was a private museum that opened in Kiyosato, Yamanashi Prefecture in 1990 and closed in 2014. This book, focusing exclusively on the museum’s “Ephemera” collection, is the first volume of a series of archival books on the museum’s collection.

This volume includes the works of Yutaka Matsuzawa, Claes Oldenburg, Cy Twombly, Daniel Buren, Donald Judd, Ellsworth Kelly, Hanne Darboven, John Cage, Marcel Duchamp, Robert Rauschenberg, stanley brouwn, Tony Cragg, Wolfgang Laib, and many others.

Produced on the occasion of Dora Budor’s exhibition OLD WORLD at Galerie Molitor, Berlin, 14 April–24 June, 2023. Limited edition of 100. Text by Gianmaria Andreetta. Designed by Dora Budor and Dan Solbach.

The focus of Owens’ essay From Work to Frame, or, Is There Life After “The Death of the Author”? is how artistic production finds its conditions for success within a social universe, and therefore is an acknowledgement of conditions related to production and reception while incorporating an understanding of how authorship in artistic work can be realized. The shift goes, as the title announces, from the work to the frame, and at the same time to a determination of those conditions that make works appear as frames.

From Work to Frame was first published in English and Swedish in 1987 in the catalogue for the exhibition Implosion: A Postmodern Perspective at the Moderna Museet in Stockholm. As S*I*G #12, the text is published in English and in its first German translation, alongside a preface by Hannes Loichinger, who is editor of this issue.

Produced on the occasion of A work for no public audience at Castello di Rivoli Museo d’Arte Contemporanea, (Rivoli), Torino. Handbound artist book with a title by CAConrad. 6 images inset in French folded computer paper. Edition of 65 + 20 AP