Produced on the occasion of the exhibition Öyvind Fahlström, Centre Georges Pompidou, Musée national d’art moderne, Paris, 23 –31 March, 1980 and Moderna Museet, Stockholm, October–November 1979.
Produced on the occasion of the exhibition Öyvind Fahlström, Centre Georges Pompidou, Musée national d’art moderne, Paris, 23 –31 March, 1980 and Moderna Museet, Stockholm, October–November 1979.
Öyvind Fahlström (1928–1976) was unquestionably one of the twentieth centuryʼs most innovative and multi-dimensional artists. His incentive was to investigate economical, political and social issues and the production of meaning.
This three-volume publication (in slipcase) is published on the occasion of the exhibition, Manipulate the World: Connecting Öyvind Fahlström, at Moderna Museet, Stockholm, 21 October, 2017–21 January, 2018.
Produced on the occasion of Vivian Suter’s exhibition at Kunstmuseum des Kantons Thurgau, Kartause Ittingen, 1983.
Produced on the occasion of Situation Schweiz a series of exhibitions at Galerie nächst St. Stephan, Wien, Galerie Krinzinger, Vienna, Forum für aktuelle Kunst, Innsbruck, and the Stiftung Pro Helvetia, 17 March–3 October, 1981.
This comprehensive monograph ventures a look at Vivian Suter’s complete works, bringing together early drawings, painterly wall reliefs from the 1980s, and her latest work from her studio in the tropical rainforest of Guatemala: loose canvases hanging lightly from the ceiling in atmospherically dense installations. The richly illustrated catalog illuminates the interplay between unpredictable natural influences as the paintings are left outside open to the elements and purposeful artistic work in Suter’s practice. Designed by Julia Born.
Myths and Manifestos is a compendium of dramatic and polemical texts written and released, by the artist entity Studio for Propositional Cinema between 2009 and 2021. Scripts for a play, a libretto, and an epic poem are punctuated by manifestos and public speeches that act as bridges between them. Together they reflect and warn of an encroaching ideological dark age in which our culture’s communicational forms are becoming increasingly endangered and alienated from our collective control, while making some modest proposals for how we can make space to relearn and retain them, if there is still enough time to do so.