Jochen Lempert brings his signature blend of scientific sensitivity and poetic vision to the remote Greek island of Kastellorizo. Known for his black-and-white photographs and background in biology, Lempert turns his lens to the subtle presences of animal, vegetal, and mineral life on this isolated Mediterranean outpost. Through a series of quietly observational images, Lempert documents the island’s micro-ecologies with a field biologist’s care and an artist’s attunement to form and chance. As always, he eschews dramatic framing and post-production, relying on natural light, analog processes, and an acute sense of timing.

A contemplative photographic series by Jochen Lempert, created during a residency at the Moulin des Ribes in Grasse, a former mill nestled in the Provençal landscape. Known for his background in biology and his distinctive analogue black-and-white photography, Lempert brings a scientific sensitivity and poetic restraint to his exploration of the site’s immediate environment. Shot entirely on location, the images focus on subtle interactions between natural forms and their surroundings. Rather than constructing grand ecological narratives, Lempert observes everyday life in and around the mill, drawing attention to the interdependencies and ephemeral presences that define a place.

Produced on the occasion of the exhibition anne Krul – ANAGRAMMA TICS with Tabea Nixdorff and Unica Zürn, at A Tale of A Tub, Rotterdam, 31 May–24 August, 2025.

ANAGRAMMA TICS takes the form of an unconventional retrospective, wherein the various facets and outputs of krul’s practice—anagram poetry, art making, education, organising, collaboration and intergenerational dialogue—will be on show for many for the first time. krul worked with artist and typographer Tabea Nixdorff, a pre-existing collaboration which has seen the pair produce new audio works while also translating krul’s anagram poems—a type of poetry made with the guiding principle that either each line or each verse is written with the same set of letters as all other lines or verses in the poem—into spatial installations and sculptures, building on their overlapping interests in poetry and found language, as well as the restrictions inherent to writing.

Designed by Tabea Nixdorff.

Rayograph is term invented by Man Ray, in which he merged his name with the word “photograph” to describe his particular approach to the technique of making photograms. As old as photography itself, photograms are photographic prints made by placing objects and other elements on photosensitive paper and exposing it to light, without the use of a camera.

*Please note this publication is secondhand and may have some traces of previous ownership.

Le témoin is a small sculpture Man Ray had made in 1941 and executed again in 1971. It was constructed from a cardboard box that had contained Man Ray’s favourite sweets, Calissons d’Aix. The artist stuck a glass marble inside it: touching the corner of the box causes the eye to flinch as if it were witness to its surroundings.

*Please note this publication is secondhand and may have some traces of previous ownership.

Produced in an edition of 100 by Progetto, a space based in Lecce. Previous exhibitions include Niloufar Emamifar, SoiL Thornton, Aria Dean, K.R.M. Mooney, Lydia Ourahmane, Noah Barker & Wyatt Niehaus, Bri Williams, Dora Budor, Michael Dean, Nina Canell, Robin Watkins and K. Verlag and ektor garcia.

All sales from the calendar go towards its programming and library. Designed by PEACH.

*Please note this publication is stored offsite and is available by mail order only.