Printed on the occasion of Giorgio Griffa’s 1975 exhibition at Kunstraum Munchen. Actual size reproductions of 31 works on paper.

Tummy Rumble (To Me, Rubble) was originally created for the exhibition Signals From The Periphery, held at the Tallinn Art Hall in July 2017. The installation consisted of a wall drawing and a video with sound and narration. The work is a collaboration between the designer and illustrator Rudy Guedj (installation, video, drawings, book design), and the writer Will Pollard (text, narration in the video).

The publication Tummy Rumble (To Me, Rubble) puts the original text and illustrations into a new dialogue, thus working both as a documentation and a final translation of the work.

Was Ist Los is a facsimile reproduction of a 2003 essay by Seth Price, bound within a one-of-a-kind spray-painted cover. Previously published as "Decor Holes," "Unique Source/All Natural Suicide Gang," "Akademische Graffiti," and "Depletion," it was first written to accompany Price's 2006 album Akademische Graffiti.

Contributions by Liz Allan, Bik Van der Pol, Charles Esche, E. C. Feiss, Laymert Garcia dos Santos, Sarah Pierce, Eloise Sweetman, Paulo Tavares, Nato Thompson. Design by Anja Groten.

The School of Missing Studies started in 2003 as an initiative of artists and architects who recognized “the missing” as a matter of urgency. Investigating what culture(s) laid the foundations for the loss we are experiencing from modernization and how this loss can talk back to us as a potential site of learning, the School of Missing Studies is calling for a space to turn existing knowledge against itself to affect our capacity to see things otherwise, to trust that seeing, and to set one’s own pedagogical terms.

Sandberg Series n°1. Copublished with Sandberg Instituut, Amsterdam.

From 1990 to 1996, Hanne Darboven worked on Kinder dieser Welt, an extensive opus comprised of several books, toys, brown-paper tablets and 2202 musical “scores”. In a departure from previous practice, the artist employs coloration and a playful approach to modify the stringency of her concept involving the subjective rendering of calendar information to conjure up a cosmopolitan children’s world as a symbol for an optimistic new beginning.

This book reproduces the formally quite diverse and complex segments of the work in sections. An introductory essay explores the way in which the artist fundamentally recapitulates her entire concept of space and time in Kinder dieser Welt, shaping it into an appeal for the discovery of individual rules. An annotated works catalogue and a detailed biography document the life and work of the artist, the recipient of the 1995 International Prize of the state of Baden-Württemberg.

Stephen Willats has made work examining the function and meaning of art in society since the 1960s. His work has involved interdisciplinary processes and theory from sociology, systems analysis, cybernetics, semiotics and philosophy. This manifests in wall installations, project works, films & computer simulations, drawings & diagrams, bookworks and texts.

Published on the occasion of the exhibitions Building and People at Berlinsiche Galerie, Berlin and Goethe Institute, London, 1993.